清張若靄畫鎮海寺雪景 軸
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- 資料識別：
- 故畫002586N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 張若靄
- 主題與關鍵字：
- 冬景（雪景） 山徑 寒林．枯樹 寺廟 橋 亭 松 溪澗、湍泉
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 127.6x62.8公分、全幅 81公分
- 關聯：
- 石渠寶笈續編（重華宮），第四冊，頁1821&*故宮書畫錄（卷八），第四冊，頁106&*故宮書畫圖錄，第十一冊，頁377-378&* 張若靄（一七一三－一七四六）清安徽桐城人。字晴嵐，雍正癸丑（一七三三）傳臚，襲伯爵，諡文僖。善書，工畫花竹、禽蟲，深得王穀祥、周之冕遺意。 乾隆丙寅（一七四六）初冬幸五臺山，途中遇雪，命若靄繪圖，並自題曰：「臺麓廻鑾經鎮海寺，積雪在林，凹峰露宇，天然畫意，因命傳臣寫之。」本幅刻意描寫雪、松、樓宇，雪留白，松用翠，樓宇用朱，設色明艷而刻飾。 &*Snow at the Ch’eng-hai Temple Chang Jo-ai (1713-1746 A.D.) Ch’ing dynasty A native of T’ung-ch’eng, Anhui, Chang Jo-ai (tzu Ch’ing-luan) was given the title of court and the name Wen-hsi in 1733. A skilled calligrapher and painter, he was noted particularly for his flowers, bamboo, animals and insects. Chang formed his painting style on the basis of the ideas of Wang Ku-hsiang (1501-1568 A.D.) and Chou Chih-mien (ca. 1580-1610 A.D.). In early winter 1646, an imperial entourage travelled to Wu-t’ai-shan. They encountered snow along the road and the Ch’ien-lung Emperor requested Chang Jo-ai to paint. According to the Emperor’s inscription: “At the foot of T’ai-shan we turned back toward the Ch’eng-hua temple. Snow covered the trees while crevices in the peaks remained bare; the naturalness of the scene required a painting, so I ordered one of my ministers to paint this.” Here Chang has paid particular attention to areas in which snow has accumulated; the pines are green and the roofs of buildings red, but snowy areas have been left unpainted. The coloration is extremely clear and definite and thus somewhat unnatural in appearance.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
