宋四家墨寶 冊 宋蘇軾書次韻秦太虛見戲耳聾詩 

宋四家墨寶 冊 宋蘇軾書次韻秦太虛見戲耳聾詩 

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資料識別:
故書000235N000000005
資料類型:
類型:書法
型式:文字
著作者:
蘇軾
出版者:
數位化執行單位:國立故宮博物院
格式:
本幅 30.7x45.3公分、全幅 43.5x77.7公分
語言:
漢文
關聯:
石渠寶笈續編(養心殿),第二冊,頁1097 &*故宮書畫錄(第三卷),第一冊,頁141 &* Su Shi (sobriquet Dongpo jushi) of Meishan, Sichuan, was a master of poetry, painting, and calligraphy. In the latter he studied Wang Xizhi’s “Orchid Pavilion Preface” as a youth, his elegant style similar to Xu Hao’s. In middle years Su studied Yan Zhenqing and Li Yong’s calligraphy. In an overview of Su’s style, his characters are steady and prepared, while also overflowing in form, which is why Huang Tingjian praised him as the best in the Song. This poem is by Su from circa 1079 upon meeting Qin Guan (Taixu, 1049-1100) on his way from Xuzhou to serve as Prefect of Huzhou. The contents are exaggerated and bantering, but the characters smooth and steady. Likewise, the brushwork is fluid, making this an early masterpiece by Su.(20100406)&*故宮歷代法書全集,第十一冊,頁4-37、186-193&*蘇軾〈西元1036-1101〉,字子瞻,自號東坡居士,四川眉山人。詩文書畫俱成大家。少日學蘭亭,其書姿媚似徐浩,中歲學顏真卿、楊凝式書,其合處不減李邕。綜觀其書,結字隱密,姿態橫生,拘不取俗,縱不失度,黃山谷推譽為宋朝第一。 小字行書詩一首,為蘇軾和秦觀〈1049-1100〉見戲耳聾詩,舊評蘇書多用臥筆,又略失肥,東坡嘗作詩辯曰:「豐妍瘦硬各有態」。本福字形溫潤勻穩,不以略肥而失韻也,為蘇書佳品。&*Su Shih(style name Tzu-tan and sobriquet Tung-p'o chu-shih)was a native of Mei-shan, Szechwan, and a master at poetry, prose, calligraphy, and painting. As a youth, he studied the Lan-t'ing preface by Wang His-chih(ca.307-ca. 365). The appearance of his calligraphy resembled that of Hsü Hao(703-782). In his middle years, Su studied the manners of Yen Chen-ch'ing(709-785)and Yang Ning-shih(873-957), his calligraphy not inferior to that of Li Yung(678-747). The structure of Su's characters, in general , can be called introverted and poised, neither vulgar nor without rules. Huang T'ing-chien(1045-1105)called Su the premier calligrapher of the Sung. The poem in small running script here was done to the tune of the poem "chien-his erh-lung" by Ch'in Kuan(1049-1100; sobriquet T'ai-hsü). Traditional critiques of Su Shih's calligraphy indicated that he often used a flat brush, producing characters somewhat abbreviated and thin. But Su himself once wrote that "Being plump and elegant as well as thin and tough both have their advantages."The characters here are even and introverted and do not appear abbreviated or inharmonious; marking this an excellent work.&*蘇軾(西元一O三六—一一O一年)字子瞻,自號東坡居士,四川眉山人。書法早年學蘭亭,姿媚似徐浩,中歲學顏真卿、李邕。綜觀其書,結字穩密,姿態橫生,黃庭堅譽為宋朝第一。 此詩約作於元豐二年(一O七九年),為蘇軾從徐州赴湖州太守途中,與秦觀(一O四九—一一OO年)相遇時作,詩句戲謔誇張。本幅書法字形溫潤勻穩,用筆流暢,是蘇軾早期佳作。 (20100406)
管理權:
國立故宮博物院

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