宋四家墨寶 冊 宋黃庭堅書苦筍賦 

宋四家墨寶 冊 宋黃庭堅書苦筍賦 

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資料識別:
故書000235N000000008
資料類型:
類型:書法
型式:文字
著作者:
黃庭堅
出版者:
數位化執行單位:國立故宮博物院
格式:
本幅 31.7x51.2公分、全幅 43.5x77.7公分
語言:
漢文
關聯:
石渠寶笈續編(養心殿),第二冊,頁1097 &*故宮書畫錄(第三卷),第一冊,頁141 &*故宮歷代法書全集,第十一冊,頁4-37、186-193&*黃庭堅(西元1045-1105年),字魯直,號山谷道人、涪翁。江西分寧(今修水)人。為北宋著名詩人,開創江西詩派,著有《山谷集》行世;又以精於書法著稱,善行、草書,楷法亦自成一家。據稱其書初學周越,後轉學王獻之、張旭、懷素、顏真卿等人。縱橫奇倔,波瀾老成是黃氏書法特徵,與傳統規範大相徑庭。 宋徽宗曾說:「黃書如抱道足學之士,坐高車駟馬之上,橫鉗上下,無不自如。」山谷書法對當時及後世影響很大,受到極高的評價,為北宋四大家之一。此帖筆勢遒勁,中宮斂結,長筆外拓,英俊灑脫,顯示出山谷縱逸豪放的雅韻,並充分發揮傾側的動向美感。選自「宋四家墨寶」冊。&*Huang T'ing-chien, a native of Kiangsi province, excelled at running and cursive script. His horizontally elongated characters and slightly wavering strokes have a centered and powerful quality to them. His direct and handsome style has an overall harmony and expressive quality that reveals the beauty of angled brushwork. Although his style appears somewhat awkward, it actually reflects his mature and individual manner, which is quite different from tradition formulae. In this peece, the brushwork is powerfully elongated and expressive. These features reflect the elegant harmony of his untrammeled and heroic manner. This leaf is from the album Calligraphy Treasures of Four Sung Masters.&*黃庭堅(西元一O四五-一一O五年),字魯直,號山谷道人、晚號涪翁。江西修水人。為北宋著名詩人,開創江西詩派,著有《山谷集》行世。書法著稱,善行、草書,楷法亦自成一家。據稱其書初學周越,後轉學王獻之、張旭、懷素、顏真卿等人。縱橫奇倔,波瀾老成是黃氏書法特徵,與傳統規範大相徑庭。 此帖筆勢遒勁,中宮斂結,長筆外拓,英俊灑脫,顯示縱逸豪放的雅韻,並充分發揮傾側的動態美感。(20100406) &* Huang Tingjian (style name Luzhi; sobriquet Shangu daoren) was a native of Xiushui, Jiangxi. A famous Northern Song poet, he founded the Jiangxi school, his Collection of Shangu still surviving. Also famed for his calligraphy, he excelled at running and cursive scripts, his regular script in a style of its own. It is said he first studied Zhou Yue’s style and later turned to those of Wang Xianzhi, Zhang Xu, Huaisu, and Yan Zhenqing. Expansive and eccentric, Huang’s calligraphy is noted for wave-like features widely diverging from tradition. Here the brushwork is vigorous, the forms compact but with longer strokes extended for a dashing freedom, revealing a leisurely and unbridled refinement while fully expressing a dynamic aesthetic to the slanting quality.(20100406)
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國立故宮博物院

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