元趙孟頫書晝錦堂記 軸
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- 資料識別：
- 故書000492N000000000
- 資料類型：
- 類型:書法
- 型式:文字
- 著作者：
- 趙孟頫
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 159.3x54公分、全幅 78.5公分
- 語言：
- 漢文
- 關聯：
- 石渠寶笈初編（御書房），下冊，頁1092&*故宮書畫錄（卷八），第四冊，頁8&*趙孟頫（西元一二五四－一三二二年），湖州（今浙江吳興）人。字子昂，自號松雪道人，也稱鷗波，宋太祖十一世孫，秦王德芳之後。仕元，至翰林學士承旨，封魏國公，諡文敏。才氣橫溢，讀書過目成誦，詩文清遠。工書善畫，亦善刻印。書法倡復古，影響後世甚大。其書凡三變，初臨宋高宗，中學鍾繇及二王，晚學李北海。 本幅書歐陽修相州晝錦堂記，結體謹飭內斂，筆墨遒勁秀發，通體氣勢暢旺，深受李北海影響。是其逝世前兩年，六十七歲之作。&*Chao Meng-fu (style name Tzu-ang; sobriquet Sung-hsueh tao-jen; also known as Ou-p'o) was a native of Wu-hsing, Chekiang. Although he was a descendent of the Sung royal family, he served the Yuan government as an Academician in the Hanlin Academy. He was an able calligarpher and excelled at painting and seal carving. In calligraphy he advocated returning to ancient styles, and he deeply influenced later generations. There are three distinct changes in Chao's calligraphy. In his early years he imitated the style of the Sung emperor Kao-tsung (r. 1127-1162); in his middle years he studied the styles of Chung Yu (151-230), Wang Hsi-chih (307-365), and Wang Hsien-chih (344-388); and in his late years he studied the style of Li Yung (678-747). The title of this work is the Record of Ou-yang Hsiu's Chou-chin Studio in Hsiang-chou. With strictly structured characters held together within themselves and forceful and handsome brushwork, the calligraphy of the work is luxuriant and demonstrates the profound influence of Li Yung. This work was composed two years before Chao's death when he was sixty-six.
- 管理權：
- 國立故宮博物院
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http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
