元人雜書 卷 康里巎致彥中尺牘
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- 資料識別：
- 故書000134N000000001
- 資料類型：
- 類型:書法
- 型式:文字
- 著作者：
- 康里巙
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅一 30.8x55.6公分
- 語言：
- 漢文
- 關聯：
- 石渠寶笈三編（延春閣），第六冊，頁2698&*故宮書畫錄（卷一），第一冊，頁148-152&*康里巙巙（西元一二九五－一三四五年），西域康里氏。字子山，號正齋、恕叟，又號蓬累叟。順帝時為翰林學士承旨，諡文忠。博通群書，善真、行、草書。 書史謂康里巙巙行草師鍾太傅、王右軍，筆劃遒媚，轉折圓勁。又謂其書從大令來，旁及米南宮，神韻可愛。此牘兼用二王及米芾筆法，是早年書風，與其晚年參合章草筆意自成一格之面貌，大異其趣。&*K'ang-li Nao-nao (style name Tzu-shan; sobriquets Cheng-chai, Shu-sou, and P'eng-lei-sou) was Academician and Recipient of Edicts in the Hanlin Academy during the period of Emperor Shun (r. 1333-1368). He was given the posthumous title Wen-chung. His knowledge was extensive and he excelled in standard, semi-cursive, and cursive scripts. Calligraphy histories record that his semi-cursive and cursive scripts follow the styles of Chung Yu (151-230) and Wang Hsi-chih (307-365), and that in addition to his handsome brushwork, the twists and turns of his writing were round and forceful. Histories also record that his graceful calligraphy originated with Wang Hsien-chih (344-388) and Mi Fu (1051-1107). The style seen in this letter which is a representative of k'ang-li's early work combines the brush style of Wang Hsi-chih and Wang Hsien-chin, and Mi Fu. Its appearance differs considerably from the individualistic style of his later years which adopted some elements of the draft cursive script. &*1.陳階晉，〈康里巙巙(原題康里巙)致彥中尺牘〉，收入石守謙、葛婉章主編，《大汗的世紀:蒙元時代的多元文化與藝術》（臺北：國立故宮博物院，2001年初版），頁315-316。 2.陳階晉，〈行走於蒙元的藝廊裡 — 「大汗的世紀」特展 元康里巎巎(原題康里巎)致彥中尺牘〉，《故宮文物月刊》，第225期（2001年12月），頁32-33。
- 管理權：
- 國立故宮博物院
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