石渠寶笈初編(重華宮),上冊,頁727&*故宮書畫錄(卷六),第四冊,頁250&*此作前景畫林木環繞之溪口人家,其後一峰雄峙,占四分之一畫幅,兩旁以淡墨暈染遠山。主峰僅以一道俐落的線條鉤出輪廓,略施長皴呈現山體層疊之狀,頗具空靈清靜之感。依據題識,此作是為「壽之」所作,成於1351年。畫幅上黃公望書蹟、鈐印與南京博物院藏〈富春大嶺圖〉相近,為黃公望「皴紋極少」、「筆意簡遠」一類作品的代表。(20110609)&*The foreground in this work focuses on a home at the mouth of a river surrounded by trees with a solitary peak rising behind it, taking up a quarter of the composition with distant mountains in ink washes to either side. The main peak was done with just a single well-executed outline, after which some texture strokes were added to express the layering of the mountain form, giving it a serene and spirited feeling. According to the inscription, this work was done for a person named “Shouzhi” in 1351. The inscription and seals by Huang Gongwang here are similar to those on “Great Summits of Fuchun” in the Nanjing Museum collection, making it representative of Huang Gongwang’s type of work with “extremely few texture strokes” and “an abbreviated and remote brush manner.”(20110609)&*1.邱士華,〈元黃公望山水〉,收入何傳馨主編,《山水合璧:黃公望與富春山居圖特展》(臺北:國立故宮博物院,2011年五月初版一刷),頁316。