石渠寶笈三編(延春閣),第五冊,頁2525&*故宮書畫錄(卷六),第四冊,頁229&*朱衫仕女髮束大髻,回首緩步而行。侍女二人髮結雙螺髻,分執白巾圓扇,隨侍左右。人物賓主分明,衣紋線條精細有勁,衣褶處均加暈染,襞面變化有致,朱衫之領口衣袖處並用泥金鉤提數筆,手法極為細膩,並得古艷之趣。 本幅為「宋元名繪」冊第四幅。無作者題款,右下角有「趙氏子昂」、「松雪齋」半印二,據此,部分學者認為此幅可能是趙孟頫摹古之作。&*Hair delicately coifed to one side, a lady gowned in a vermilion robe glances back over her shoulder as she strolls. On either side are two maidservants with hair bound in two whorled chignons. One holds a fan, the other a while cloth. The artist, by using fine and tough strokes as well as shaded washes for the clothing, has differentiated between the main and secondary figures. Gold pigment was applied to the vermilion robe for a decorative touch, and the fine brushwork captures a sense of archaic beauty. This is the 4th leaf from the album Famous Paintings of the Sung and Yüan. Though unsigned, the partial seals of Chao Meng-fu (1254-1322) appear in the lower left. Thus, some scholars suggest that this may be a copy by Chao after an older work.&*1.劉芳如,〈元人招涼仕女〉,收入劉芳如、張華芝主編,《群芳譜 — 女性的形象與才藝》(臺北:國立故宮博物院,2003年初版一刷),頁63。 2.劉芳如,〈元人畫招涼仕女〉,收入國立故宮博物院編輯委員會編,《仕女畫之美》(臺北:國立故宮博物院,1988年四月初版),頁83。 3.本社,〈元人招涼仕女〉,《故宮文物月刊》,第12期(1984年3月),封底。