明張翀畫採芝仙 軸
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- 資料識別：
- 故畫002332N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 張翀
- 主題與關鍵字：
- 靈芝 神、仙
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 明穆宗隆慶四年（1570）
- 格式：
- 本幅 117.1x53.9公分、全幅 74公分
- 關聯：
- 秘殿珠林續編（乾清宮），頁251&*故宮書畫錄（卷八），第四冊，頁88&*故宮書畫圖錄，第九冊，頁177-178&* 張翀（西元十六至十七世紀），字子羽，號圖南，江寧（今南京）人，一作江都（揚州）人。善畫人物、仕女，山水亦佳，風格與浙派畫家張路相近。 本幅寫蓬頭仙子側身扶帚而立，腰繫靈芝數本。舉凡帚、芝、衣紋之筆墨敷彩，率皆暢快簡潔，極富豪邁古雅之致，並與採芝仙傲岸不群的神色形成一絕妙配搭。 &* Some sources state that Chang Ch’ung was a native of Chiang-ning (modern Nanking), while others state that he was from Chiang-tu (modern Yangchow). His style name was Tzu-yü and his sobriquet was Nan-t’u. He specialized in paintings of figures, especially ladies, and his landscape paintings were also quite good. His works are stylistically similar to those of the Che Sschool painter Chang Lu. This painting depicts an immortal with wind-blown hair holding a broom. Ling-chih (spirit) fungi, associated with the idea of immortality, hang from his belt. The broom, fungi and clothing folds were all painted in lively, but simple, brushstrokes, achieving a sense of archaic grandeur. All of these characteristics are appropriate to the depiction of such a lofty immortal. &*1.王耀庭，〈明張翀畫採芝仙〉，收入王耀庭、童文娥編，《長生的世界：道教繪畫特展圖錄》（臺北：國立故宮博物院，1996年初版），頁75-76。
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
