宋元集繪 冊 無款仕女
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- 資料識別：
- 故畫001293N000000010
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 主題與關鍵字：
- 仕女 女紅用具 扇 文玩（琴棋書畫） 服飾（對人）
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 33.6x33.6公分、全幅 60.5x111公分
- 關聯：
- 石渠寶笈三編（延春閣），第五冊，2521&*故宮書畫錄（卷六），第四冊，頁230&*本幅未著作者名款，畫呈圓式，背景殆以石青填實，中繪仕女三人圍坐於鈎金紅氈之上，一舉纖指作繡，餘二人分執紈扇靜觀。人物面部之額、鼻、顎以胡粉暈染，分外突顯，是為「三白法」，衫裙上之圖紋則精謹鉤勒，間或描金，色澤極其富麗。舊標為宋人，然審其五官及結體，實與明季陳洪綬晚年清圓細勁的作風相彷彿。此幀選自「宋元集繪」冊。&*Three ladies are sitting around an embroidery frame, where one woman continues her needlework as the other two watch quietly, holding round fans. Their faces are made up in the "three whites" fashion whereby their foreheads, noses, and chins are dabbed with white powder, which from an artistic point of view has the effect of making them appear more three-dimensional. The designs in the fabric of their brilliantly colored robes have been meticulously drawn and touched with gilded lines. Sitting on a red carpet traced with patterns of gold, these delicate figures stand out starkly against a background of mineral blue. Although this round painting has no signature, it bears a label attributing it to the Sung period. The women's facial features and the modeling of their figures, however, seem to be in the style af the Ming painter Ch'en Hung-shou (1599-1652), who in his later years painted in a similar full, graceful style. This leaf has been selected from the album Collected Paintings of the Sung and Yüan (Sung Yüan chi hui).&*1.劉芳如，〈無款仕女〉，收入國立故宮博物院編輯委員會編，《仕女畫之美》（臺北：國立故宮博物院，1988年四月初版），頁91。
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
