清惲壽平寫生花卉 冊 繡球花
推薦分享
資源連結
連結到原始資料 (您即將開啟新視窗離開本站)後設資料
- 資料識別：
- 故畫001198N000000006
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 惲壽平
- 主題與關鍵字：
- 繡球
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 26.3x33.4 公分、全幅 64.6x42公分
- 關聯：
- 故宮書畫錄（卷六），第四冊，頁135-137&*故宮書畫圖錄，第二十四冊，頁138-141&*惲壽平（1633-1690），江蘇武進人。清代花卉畫宗師，初名格，字壽平，後以字行。詩文為毘陵六逸之首，畫與清初四王、吳歷（1632-1718）相埒，合稱四王吳惲。 本幅選自＜寫生花卉冊＞。畫開於夏季，花團錦簇的繡球花。花瓣以墨線圈寫，枝葉則以沒骨法畫出，加勾葉脈。畫家題詩以滿月、流蘇花結與球等各樣圓形的物件作為比擬。繡球花初開時為白色，漸成藍色或粉紅，故又為日本人稱為「紫陽花」。(20110102)&* Yun Shouping, a native of Wujin in Jiangsu, was a master of flower painting in the Qing dynasty. His name was originally Ge, with Shouping being his style name, by which he was later known. In poetry, he was leader of the Six Gentlemen of Piling, and in painting he was renowned and grouped with the Four Wangs of the Early Qing and Wu Li. This work comes from “Album of Flowers Sketched from Life.” It portrays a spray of hydrangea, which blooms in summer. The flower petals here were done with circles of ink, while the twigs and leaves were rendered using the “boneless” method of washes and lines to indicate the veins. The artist’s inscription at the right refers to such round things as a ball, tassel, and full moon to serve as metaphors for the hydrangea. When it first comes into bloom, the hydrangea is white but then gradually turns bluish or pink, which is why in Japanese it is called “ajisai,” or “Purple sunshine.”(20110102)&*1.〈清 惲壽平 繡球花〉，收入譚怡令、劉芳如、林莉娜主編，《滿庭芳 歷代花卉名品特展》（臺北：國立故宮博物院，2010年十二月初版一刷），頁30。
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
