清惲壽平摹古 冊 牡丹
推薦分享
資源連結
連結到原始資料 (您即將開啟新視窗離開本站)後設資料
- 資料識別：
- 故畫001195N000000003
- 資料類型：
- 繪畫
- 著作者：
- 惲壽平
- 主題與關鍵字：
- 牡丹
- 格式：
- 本幅 26.3x33.4公分
- 全幅 75.2公分
- 關聯：
- 石渠寶笈初編（御書房），下冊，頁743-744
- 故宮書畫錄（卷六），第四冊，頁131
- 故宮書畫圖錄，第二十四冊，頁58-61
- 惲壽平（西元一六三三－一六九○年），江蘇武進人。詩文為毘陵六逸之首，畫與清初四、吳歷王相埒，合稱四王吳惲。擅畫山水，後自覺無力與王翬爭勝，而專攻花卉。以徐崇嗣沒骨法參以己意，獨創風格，成為清代花卉畫宗師。此幅為「摹古冊」之第三幅，畫牡丹二枝，一朵含苞待放，一朵灼灼盛開。全作以沒骨設色為之，直接以色染畫，復加勾畫葉脈筋絡，極具柔活瀟灑、典雅明麗之氣息。
- Peonies Yün Shou-p'ing (1633-1690) Ch'ing Dynasty From Wu-chin in Kiangsu, Yün was the leading essayist and poet of the “Six Gentlemen of P'i-ling.” Considered the equal of the “Four Wangs,” he is one of the “Ssu Wang Wu Yün: the Four Messrs. Wang, the Master Wu, and the Master Yün.” Originally a master of landscapes, Yün came to feel he could not equal Wang Hui in this genre and consequently specialized in paintings of flowers and plants. He incorporated the “boneless” wash method of the Northern Sung painter Hsü Ch'ung-ssu into his own repertoire and thus created a new style, of which he became known as a master of flower painting. Yün Shou-p'ing has here depicted two peonies, one not quite opened and the other in full bloom. Washes of color have been directly applied in the “boneless” method and the leaf veins are outlined. The results are radiantly lifelike.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
