石渠寶笈續編(乾清宮),第一冊,頁445 &*故宮書畫錄(卷三),第一冊,頁180 &* 張九成(1092-1159),字子韶。紹興二年殿試狀元,累官至刑部侍郎。生平尊崇佛教,亦號無垢居士。向與僧大慧宗杲友善,為禪門護法居士。南宋初,與金對峙,因挺身支持主戰派,觸怒了當權之秦檜,遂以「與宗杲謗訕朝政」罪名,謫居流放達十四載。 此札又名〈宮祠帖〉,或是寫予方滋(1102-1172),則成書於紹興十一、二年間。字形結體雖有蘇、黃兩家遺韻,但見驅筆流暢,縱橫使轉之勢亦見米芾流風,頗富個性。(20101015)&* Zhang Jiucheng (style name Zishao) came in first place in the palace examinations of 1132, rising to the post of Vice Minister of Justice. A devout Buddhist throughout his life, he also went by the sobriquet “Wugou (Stainless) Layman.” Maintaining friendly relations with the monk Dahui Zonggao, he was a lay disciple who fervently supported Chan (Zen) Buddhism. In the early Southern Song, when the court was still at war with the Jin, he supported the war faction and thus came into conflict with the powerful Prime Minister Qin Kui, who supported a pacifist approach. Found guilty of “slandering court policy with Zonggao,” he was banished and lived in exile for fourteen years. This letter, also known as the “Palace Shrine Modelbook,” was written for Fang Ci (1102-1172) between 1141 and 1142. The structure of the character forms, despite the influence of the two Northern Song calligraphers Su Shi and Huang Tingjian, is flowing and driving with the force of Mi Fu’s style, giving it considerable character.(20101015)&*1.陳階晉,〈書尺牘〉,收入何傳馨主編,《文藝紹興:南宋藝術與文化•書畫卷》(臺北:國立故宮博物院,2010年十月初版一刷),頁397-398。 2晋介辰,〈續談徑山禪僧墨蹟 — 從大慧宋杲到虛堂智愚〉,《故宮文物月刊》,第333期,頁40-47。