明陳栝四時花卉 冊 荷
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連結到原始資料 (您即將開啟新視窗離開本站)後設資料
- 資料識別：
- 故畫001137N000000005
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 陳栝
- 主題與關鍵字：
- 蓮荷
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 24x27.5公分、全幅 30x33公分
- 關聯：
- 石渠寶笈三編（延春閣），第四冊，頁1951 &*故宮書畫錄（卷六），第四冊，頁51-52&*故宮書畫圖錄，第二十二冊，頁308-311&* 陳栝（約活動於十六世紀中葉），江蘇長洲人。字子正，陳淳子，號沱江。為人放誕不羈，嗜好飲酒，有竹林七賢遺風。畫以花卉見長，有乃父之風，筆勢飛勁，水墨淋漓，尤以梅花最為人所稱道。 本幅選自「四時花卉」冊第五幅。通冊描畫花卉十種，皆筆墨簡率。此幅所繪盛放的墨荷，亦行筆簡略。花瓣、葉筋並未筆筆交待，然荷之粉光嬌態，酣酣欲醉之狀足矣。 &*Lotus in Monochrome Ink Ch’en Kua (fl. ca. mid-16th c.) Ming Dynasty Ch’en Kua was a native of Soochow and the son of the painter Ch’en Ch’un. Broadminded and fond of drink, he carried in the tradition of the “Seven Sages of the Bamboo Grove.” He specialized in painting flowers, following his father’s style. His brushwork was spirited and use of ink rich. He is known for his paintings of plum blossoms. This is the 5th leaf from the album Flowers of the Four Seasons. This album represents ten kinds of flowers done in sketch-like fashion. Here, the lotus is shown in full blossom and done with fluent Brushwork. The unconnected strokes of the petals and veins and beaming elegance of blossom give the impression of the lotus (or perhaps the artist) almost being drunk.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
