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- 資料識別：
- 故畫002214N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 陳淳
- 主題與關鍵字：
- 奇石 花器
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 明世宗嘉靖二十二年（1543）
- 格式：
- 本幅 80.1x34.8公分、全幅 57公分
- 關聯：
- 石渠寶笈三編（御書房），第七冊，頁3115&*故宮書畫錄（卷八），第四冊，頁81&*故宮書畫圖錄，第七冊，頁225-226&* 陳淳（西元一四八三－一五四四）江蘇長洲人，字道復，又字復甫，號白陽山人。精於經學、詩文、書法、篆籀。好畫事，曾師事文徵明，善作米家山水，更善於寫意花卉，才氣縱橫，不拘於師門。王世貞評其花鳥畫與沈周、徐渭、周之冕並立為明代四大家。本幅但用墨畫，景物簡單，描寫盆、座、水石、小樹及雜草等的用筆不多，而却能一一表現其質感。至於石上用焦墨點苔的方法是受沈周的影嚮，都淵源於王蒙的作風。而畫面上方長篇題字的作風則源自沈周。癸卯（一五四三），陳淳六十一歲。&* Ch’en Ch’un was a native of Ch’ang-chou, Kiangsu. A skilled poet and calligrapher, he was also an accomplished painter. Initially he adopted the style of Wen Cheng-ming but later found the misty landscapes of the Mi tradition more compatible with his taste. In his later years he painted flowers and plants in an expressive manner. Ch’en was a talented, innovative artist who did not confine himself to copying the styles on which his own work was based. Using only ink, ch’en has defined a simple composition; a decorative rock is set vertically within a shallow basin which sits on a low stand; twigs and grass surround the rock and complete the arrangement. For the vertical rock Ch’en used dots of dark ink, a technique derived from Shen Chou, but which stems ultimately from the works of the Yüan dynasty artist Wang Meng. Above the painting is a long inscription written by the artist. The painting was completed in 1543 when Ch’en was sixty years old. &* 本幅用墨畫，景物簡單，描寫盆、座、水石、小樹及雜草等，用筆不多，卻能一一表現其質感。構圖沉穩，用筆力道十足，幾乎無一敗筆。至於石上用焦墨點苔的方法是受沈周（一四二七－一五○九）的影響，都淵源於王蒙（一三○八－一三八五）的作風。而畫面上方長篇題字的作風則源自沈周。據題識所稱，此畫成於嘉靖癸卯（一五四三）年，是年陳淳六十一歲，為答謝朋友送他的一座盆景而作。(20100105)&* This monochrome ink painting depicts the simple scene of a potted stand with a miniature scene of water, rock, small tree, and plants. Despite the brevity of the brushwork, nothing is missing from their depiction or texture. The composition is very stable and the brushwork quite powerful with almost no weak strokes. The method of scorched ink to dot the lichen reflects the influence of Shen Zhou (1427-1509) and can be traced back to the style of Wang Meng (1308-1385). And the style of Chen’s calligraphy in his inscription at the top also can be traced to the style of Shen Zhou. According to the inscription, this work was done in 1543, when Chen was 61 by Chinese reckoning. It is in gratitude to a friend for sending him a potted arrangement.(20100105)
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
