石渠寶笈續編(養心殿),第二冊,頁1029&*故宮書畫錄(卷八),第四冊,頁78&*故宮書畫圖錄,第六冊,頁275-276&* 芝鶴圖畫祝醫師璞庵壽,未署年款。山石用筆肥潤,與參天特秀圖松幹略同;人物開面及衣褶,又極近六十歲所畫灞橋詩思卷驢背上男子(灞橋詩思卷圖見藝苑遺珍第三冊)。此幀因置於成化甲辰(一四八四)沈周五十八歲。同年作品,美國堪薩斯城納爾遜博物館尚藏有沈周仿倪瓚山水軸,款名「周」字與此幀筆法正同。&*1484 Shen Chou Ling-chih and Crane This painting was done in honor of the doctor Chu P’u-an’s birthday and represents two traditional symbols of long life. The treatment of the focks is full and moist, rather like the pine trunks of “Virtue which Reaches to Heaven”. The face and dress of the figure are very close to the boy riding a donkey in “Poetic Thoughts on the Pa Bridge” handscroll (reproduced in I-yüan i-chen, vol. III). Thus the “Ling-chih and Crane” can be dated to around 1484, when Shen Chou was 57 years old. The “Landscape in the Style of Ni Tsan” in the Nelson Gallery also dates from this year; the signatures on the two paintings are extremely similar. &*1.江兆申,〈沈周芝鶴圖 軸〉,收入國立故宮博物院編,《吳派畫九十年展》(臺北:國立故宮博物院,1975年初版,1976年再版,1981年三版),頁297。