石渠寶笈續編(寧壽宮),第五冊,2834&*故宮書畫錄(卷八),第四冊,頁86&*故宮書畫圖錄,第八冊,頁343-344&*1.〈明丁雲鵬松嶺函虛〉,收入國立故宮博物院編,《晚明變形主義畫家作品展》(臺北:國立故宮博物院,1977年九月初版),頁120。 &* 丁雲鵬(生於一五四七或一五四八年,八十二歲尚在),字南羽,號聖華居士,安徽休寧人。善畫佛道人物,為晚明大家。 松巖小徑,一人攜童漫步吟眺。松巖之上,大片雲頭隔斷,雲外松杉小樹,又復密集,林梢露寺宇。與寺宇平行,橫石結構甚簡,其上結頂一峰,則石稜繁複,結構極密。全畫善於繁中用簡,故覺繁密中自有奇趣,是丁氏山水畫中精品。 &* Ting Yün-p’eng, a native of Anhwei province, excelled at painting Buddhist and Taoist figures, becoming a major artist of the late Ming. A figure and attendant slowly make their way on a small path winding among pine-covered crags. A large band of clouds in the middle separates the fore- and background. In the distance are dense forests and a temple complex. Parallel to the buildings is a massive horizontal cliff. Above, the mountain seems to burst forth with a complicated arrangement of rocks and trees. Despite being filled up almost completely, this work has a straightforward archaic feeling. This is one of the masterpieces of Ting’s landscapes and was done in 1614 at the age of 67.