明陸治仙山玉洞圖 軸
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- 資料識別：
- 故畫001346N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 陸治
- 主題與關鍵字：
- 雲 山徑 高士（士人、隱士） 侍從（侍女、童僕） 臺閣 文玩（琴棋書畫）
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 150x80公分、全幅 107公分
- 關聯：
- 石渠寶笈初編（御書房），下冊，頁1144 &*故宮書畫錄（卷五），第三冊，頁418 &*故宮書畫圖錄，第八冊，頁21-22&*在江蘇宜興縣東南有張公山，山中有張公洞，相傳是漢代張道陵修身養性的地方。陸治曾經遊歷此地，對當地奇石異景神秘的景觀，印象最為深刻。這幅畫作就是為張公洞寫景，畫幅上方題詩可說是當時紀遊感言，也在無意間為陸治的隱居生活留下紀錄。陸治將洞穴安置在畫面中景，借重山疊嶂煙雲縹緲的布局，營造出神祕幽遠的意境。在融合真實和想像之間，陸治將洞穴深遠彷彿沒有盡頭的感覺畫出來了，也把仙洞一股神奇的氣氛畫出來了。畫中高聳的山勢，採取宋朝人畫山的格局；山石輪廓皴線轉折多稜角，屬於陸治自己慣用的筆法。可知陸治此時已經從模仿別人筆法的階段，進入融合運用的階段，能夠化古人為己有，卻又自然沒有僵化的感覺。陸治這幅畫沒有記上作畫年代，但是可以看得出來，是在筆墨功夫成熟之後畫的，大約六十歲以後。&*In southeast I-hsing county, Kiangsu, lies Master Chang Mountain, wherein lies the Master Chang Caves. Legend has it that Chang Tao-ling, traditionally considered the founder of Taoism, once lived there (hence the name). Lu Chih made a trip to this site and was impressed by the fantastic scenery there. Judging from the contents of the inscription, this is a painting of the scenery there and a reflection on his trip as well as his life of reclusion. Lu has placed the cave in the lower middle, and the scene is dominated by projecting peaks and clouds above for a mysterious effect. Combining imagery of the place and the mind, Lu shows the cave as infinite and blank, giving it a transcendental quality reminiscent of the Taoist master after whom it was named. The towering composition follows after the monumental landscape manner of Sung artists, while the angular lines and texturing are completely in Lu’s own style. Therefore, Lu was at the stage of assimilating elements of previous styles and developing his own manner, transforming the old to create something refreshing and new. Lu did not indicate when this work was painted, but the maturity of the style indicates that it was probably painted after the age of 60. Thus, this painting represents a clear departure from the style of Wen Cheng-ming and is from Lu's mature period. &* 陸治（西元一四九六－一五七六年），江蘇吳縣人。字叔平，號包山子。畫山水折衷四大家，近則受沈周、文徵明影響。晚年用墨愈枯淡，用筆愈方勁，自成一格。 江蘇宜興縣東南有張公山，山中有張公洞。相傳漢張道陵曾居住在此，山洞怪石參差羅列，幽深神祕，本幅所繪正是此洞，為一紀遊寫景之作。山石結體方勁峭利，巖石皴法線條細瘦，頗能脫去文氏的格局，自成風貌，是陸治成熟期的作品。 &*The style of Lu Chih, a native of Soochow, combines those of the Four Yüan Masters with the ones of Shen Chou and Wen Cheng-ming. In later years, Lu used increasingly dry ink and more forceful brushwork to create a style of his own. In southeast I-hsing county, Kiangsu, lies Master Chang Mountain, wherein lies the Master Chang Caves. Legend has it that Chang Tao-ling, traditionally considered the founder of Taoism, once lived there—hence the name. The fantastic and mysterious rock formations are shown in the caves as a record of a trip by Lu Chih. The sharp, ragged mountains are defined by thin, delicate lines. This work represents a departure from the style of Wen Cheng-ming and is from Lu’s mature period. &*1.王耀庭、張華芝，〈明陸治仙山玉洞圖〉，收入王耀庭、張華芝編，《明陸治作品展覽圖錄》（臺北：國立故宮博物院，1992年初版），頁75。
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
