明陳淳畫重陽風雨圖 軸
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- 資料識別：
- 故畫001341N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 陳淳
- 主題與關鍵字：
- 楊柳 雨景 行旅 菊 茅草屋 籬笆、圍牆 服飾（對人） 重九 漁船 城牆 竹 橋 房舍 漁夫、船夫 高士（士人、隱士） 江河、湖海
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 明世宗嘉靖二十三年（1544）
- 格式：
- 本幅 119.3x59.2公分、全幅 87公分
- 關聯：
- 石渠寶笈初編（養心殿），上冊，頁656&*故宮書畫錄（卷五），第三冊，頁401&*故宮書畫圖錄，第七冊，頁229-230&* 陳淳（西元一四八三－一五四四年），字道復，生於蘇州望族之家，精於經學、詩文、尤以書畫擅名。曾師事長他十五歲的文徵明，中年以後畫風轉變，以寫意花卉及米家山水著稱。 此圖以淋漓縱逸的筆墨，描繪重陽日菊花盛開，城郊溪畔，漁夫行人在斜風細雨中的活動，正如題詩所云：「滿城風雨近重陽，橘熟橙黃菊吐香。」嘉靖甲辰為西元一五四四年，即陳淳歿年。 &*Stormy Ninth Day of the Ninth Month Ch’en Ch’un (1483-1544) Ming Dynasty Using fluid and relaxed brushwork, the artist has depicted a scene on the ninth day of the ninth month (“Double Ninth”). Chrysanthemums fully bloom along a stream on the city outskirts; fishermen and travelers go about their business despite the slanting rain. These images reiterate the theme of the poem at the top of the painting: “The Double Ninth draws upon the storm-drenched town; oranges ripen golden, chrysanthemums their scent abound.” This painting was done in 1544, the year of the artist’s death. Ch’en Ch’un (style name Tao-fu) was from a respected Soochow family. He excelled at classical studies, poetry, and writing, but was especially gifted at painting and calligraphy. Ch’em was apprenticed to the painter Wen Cheng-ming, who was fifteen years his senior. After Ch’en passed middel age, his painting style changed; his sketchy depictions flowers and plants and landscapes in the style of Mi Fu (1012-1107) from this period are particularly famous.
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
