宋劉松年醉僧圖 軸
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- 資料識別：
- 故畫000103N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 劉松年
- 主題與關鍵字：
- 侍從（侍女、童僕） 僧（和尚、尼姑） 文房用具 松
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 宋寧宗嘉定2年（1210）
- 格式：
- 本幅 95.8x47.8公分、全幅 81.5公分
- 關聯：
- 石渠寶笈三編（延春閣），第三冊，頁1501&*故宮書畫錄（卷五），第三冊，頁89-90&*墨緣匯觀&*故宮書畫圖錄，第二冊，頁109-110&*1.李霖燦，〈劉松年的攆茶圖與醉僧圖〉，《故宮文物月刊》，第23期（1985年2月），頁69-71。 2.李霖燦，〈劉松年的醉僧圖〉，《故宮季刊》，第四卷第一期（1969年7月），頁31-39。 &*劉松年（西元1190至1230年前後）浙江錢塘人，居清波門外，因此別人稱他為劉清波，又呼暗門劉。為南宋孝宗淳熙年畫院學生，紹熙年待詔，善畫人物山水，師法張敦禮，神氣精妙，青出於藍。畫松樹幹上繫一葫蘆。一童子替僧人伸紙。一童捧硯台。一僧人袒肩坐在石上寫字。署款、嘉定庚午劉松年畫，寫於坡石上。全幅畫人物神情、樹幹、小草都充滿了古樸自然的趣味。&*A monk, in his monastic garment with one shoulder bare, sits on a rock doing calligrarhy. From the trunk of a pine tree hangs a bottle gourd. A servant spreads his writing paper, while another holds his ink stone. A rocky bank is inscribed with the painter's signature and the date 1210. All the figures are painted with great spirit; the tree trunks and grasses are replete with an antique simplicity and a naturalistic flavor. Liu Sung-nien, came from Ch'ien-t'ang in Chekiang. He lived outside the Ch'ing-po Gate of Hangchow, and was therefor called "Liu of Ch'ing-po" and " Liu of the Dark Gate." Durung the Ch'un-hsi era (1174-1189) of the reign of the Southern Sung emperor Hsiao-tsung, he was a student in the Imperial Academy of Painting, and he served as a Painter-in-Attendance during the period 1190-1195. He was an excellent painter of landscapes and figures, which he learned from Chang Tun-li.The exquisite spirit of Liu's paintings eventually surpassed that of his mentor.&*一僧人袒肩坐在石上寫字；旁一童子幫忙伸紙一童捧硯台，松樹幹上繫一葫蘆。唐僧懷素，以草書名天下，醉後狂草縱橫不羈，本幅應是描繪懷素醉後揮毫情景。近景坡石上有「嘉定庚午（西元一二一0）劉松年畫」署款，劉松年為南宋孝宗、寧宗時畫院畫家，善畫人物山水。本幅近景坡石下繪人物，線條細勁，衣紋轉折方折，風格與院藏劉松年名作〈畫羅漢〉相類，唯不若精謹細緻，成畫年代應較晚。 &*A monk with his shoulder exposed sits on a stone and writes with a brush. An attendant holds the scroll as the other grinds ink. His gourd is tied to the trunk of the pine. The Tang monk Huaisu was renowned for cursive script, and when drunk would do unbridled wild cursive. Thus, this work might depict him wielding the brush when drunk. The area in front is inscribed, “Painted by Liu Songnian in the gengwu year of Jiading (1210).” Liu was a Painter-in-Attendance at the Painting Academy under Emperors Xiaozong and Ningzong, and he excelled at figures and landscapes. The figure lines here are fine and taut, while those for the drapery are angular, similar to the Museum’s “Lohan” paintings by Liu, but not quite as fine, suggesting a slightly later date.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
