明仇氏杜陵內史畫唐人詩意 軸

明仇氏杜陵內史畫唐人詩意 軸

推薦分享

Share

資源連結

連結到原始資料 (您即將開啟新視窗離開本站)

後設資料

資料識別:
故畫000488N000000000
資料類型:
類型:繪畫
型式:靜態圖像
著作者:
仇氏杜陵內史
主題與關鍵字:
奇石 棕櫚 牡丹 仕女 雲
出版者:
數位化執行單位:國立故宮博物院
格式:
本幅 103x60.6公分、全幅 82公分
關聯:
石渠寶笈三編(延春閣),第四冊,頁1886&*故宮書畫錄(卷五),第三冊,頁365&*故宮書畫圖錄,第九冊,頁31-32&*1.張華芝,〈仇氏(杜陵內史)畫唐人詩意〉,收入劉芳如、張華芝主編,《群芳譜 — 女性的形象與才藝》(臺北:國立故宮博物院,2003年初版一刷),頁175。 2.劉芳如,〈明仇氏杜陵內史畫唐人詩意〉,收入國立故宮博物院編輯委員會編,《仕女畫之美》(臺北:國立故宮博物院,1988年四月初版),頁85-86。 &*仇氏(西元十六世紀),江蘇太倉人,號杜陵內史。乃仇英之女,能畫,綽有父風。畫山水、人物,精工秀麗,筆意不凡,無一點塵俗氣。  本幅繪珍木橫雲,牡丹簇豔,一仕女淡妝華服立於花木前。款署「吳門仇氏戲寫」,然唐人詩意圖鉤勒嚴謹,賦彩細膩無倫,前人嘗盛讚乃父畫風「髮翠豪金,絲丹縷素,精麗豔逸,無慚古人。」倘以之形容仇氏此作,亦非過譽也。 &*Tu-ling Nei-shih was the sobriquet of the daughter of the Ming artist Ch'iu Ying (ca. 1494-1552). A native of T'ai-ts'ang, Kiangsu, she was an accomplished painter and worked very much in her father's style. Her landscape and figure paintings reveal the brushwork of an uncommonly refined caliber. Critics have praised the artist's father, saying of his brushwork that it resembled "hairs of emerald jade and threads of gold; whether he used strands of color or filaments in monochrome, they were of a delicate beauty that even the ancients would not have been dismayed." Such an accolade could equally describe this painting by his daughter. Horizontal banks of clouds encircle a small grove of exotic trees and clusters of blossoming peonies. Before them stands the solitary figure of a woman, palely made up and exquisitely attired. The artist's meticulous craftsmanship and incomparably fine sense of coloring belie her signature, which reads "Playfully done by C'iu of Wu-men."
管理權:
國立故宮博物院

授權聯絡窗口

國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061

引用這筆典藏 引用說明

引用資訊
直接連結

評分與驗證

請為這筆數位資源評分

star star star star star

推薦藏品

主要品名:鄭成旦�
主要品名:鄭成旦�
主要品名:溥心畬與張大千合繪山水畫
主要品名:溥心畬與張大千合繪山水畫
主要品名:牽蘿拂雨
主要品名:牽蘿拂雨
元吳鎮漁父圖 軸
元吳鎮漁父圖 軸
主要品名:飛泉
主要品名:飛泉
明陸治四時花卉真蹟 卷
明陸治四時花卉真蹟 卷