明宣宗戲猿圖 軸
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- 資料識別：
- 故畫000883N000000000
- 資料類型：
- 繪畫
- 著作者：
- 朱瞻基
- 主題與關鍵字：
- 枇杷 猿 蘆葦 竹 荊枝
- 日期：
- 明宣宗宣徳二年（1427）
- TIME STAMP:14-12月-05
- 格式：
- 本幅 162.3x127.7公分&全幅 130公分
- 關聯：
- 石渠寶笈初編（御書房），下冊，頁1119&故宮書畫錄（卷五），第三冊，頁307&故宮書畫圖錄，第六冊，頁141-142&宣宗（西元一三九九─一四三五年）姓朱，名瞻基。明成祖長孫，明代第五位皇帝，年號宣德。宣宗雅尚詞翰繪事，於書畫之作，隨意自然，往往與宣和爭勝。 此軸作於二十九歲，繪母猿緊抱小猿蹲踞於石上，旁有公猿摘送枇杷。圖中洋溢著溫馨親子之情，寓有崇尚人倫之意。畫猿得宋易元吉神韻，背景之竹叢葦草、荊棘枇杷，線條自然流利。山石皴法圓潤，得董巨遺韻。整幅畫構圖中正和諧，與宣宗皇帝雍容大度，頗能呼應。 &Gibbons at Play Emperor Hsüan-tsung (1399-1435) Ming Dynasty Emperor Hsüan-tsung, whose personal name was Chu Chan-chi, was the grandson of Emperor Ch’eng-tzu (r.1403-1424). The fifth emperor of the Ming dynasty, he ruled from 1425 to 1435 under the reign name Hsüan-te. He enjoyed writing poems and painting, and he was able to produce free and natural works. He can thus be compared to Emperor Hui-tsung (r.1101- 125), the famous Northern Sung emperor who was a renowned artist and calligrapher. Hsüan-tsung painted Gibbons at Play when he was 29 years old. Squatting on a rock, a female gibbon clasps her baby as the male gibbon plucks loquats for them. The theme of paternalism and maternalism permeates the composition, demonstrating one of the most important moral principles of basic relationships. In painting gibbons, Hsüan-tsung captured the poetic charm of I Yüan-chi, a Sung dynasty painter of apes. The brush lines of the bamboo, lush reeds, thorny shrubs, and loquats in the background appear fluid and natural. The rocks are depicted in round, moist texture strokes reminiscent of those of Tung Yüan and Chü-jan. The entire composition is balanced and harmonious, representing perhaps a metaphor for Emperor Hsüan-tsung’s natural magnanimity.
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- 國立故宮博物院
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