元顏輝畫拾得子 軸
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- 資料識別：
- 故畫001977N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 顏輝
- 主題與關鍵字：
- 夜景（月景） 僧（和尚、尼姑） 葫蘆 服飾（對人）
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 152.8x69.5公分、全幅 73.4公分
- 關聯：
- 秘殿珠林三編（延春閣），頁117&*故宮書畫錄（卷八），第四冊，頁66&*故宮書畫圖錄，第四冊，頁259-260&*「拾得」為唐貞觀時天台國清寺役僧，由其師豐干禪師拾而養之，故名。與當世高僧寒山友善，俱以癲狂，好吟詞偈。傳台州守備欲親謁之，二人乃連臂孝傲而去。 圖中拾得赤足而衣著襤褸，腰繫二葫蘆、手執掃帚，口張目揚，似是若有所悟。本幅畫中拾得之指尖及根部為填粉法，並傳聞中顏輝的橄欖描，起訖較輕，中段沉重，由本幅衣紋處或可觀其大略。&*Yen Hui excelled at Buddhist figure painting and was known for his lively and unusual style. Shih-te was a T'ang dynasty monk of the T'ien-t'ai Buddhist sect who resided at the Kuo-ch'ing Temple. His name translates as "picked up" because he was adopted by his teacher, the Ch’an master Feng-kan. Along with Han-shan, he was said to be an amiable madman and he enjoyed fame for his poetry. Shih-te here is shown barefoot wearing a ragged monk's robe. Two gourds hang from his waist as he holds a broom. With his mouth open, he already seems enlightened. Besides the addition of white pigment, Shih-te's robes also reveal the "olive strokes" associated with the Yen Hui style; they start and end light but have thick centers.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
