宋燕文貴秋山琳宇圖 軸
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- 資料識別：
- 故畫000044N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 燕文貴
- 主題與關鍵字：
- 秋景 溪澗、湍泉 瀑布 江河、湖海 高士（士人、隱士） 竹 寺廟 房舍
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 165.5x58.4公分、全幅 84公分
- 關聯：
- 石渠寶笈三編（延春閣），第三冊，頁1385&*故宮書畫錄（卷五），第三冊，頁45-46&*故宮書畫圖錄，第一冊，頁181-182&*1.何傳馨，〈(原題宋燕文貴)秋山琳宇圖〉，收入李玉珉主編，《古色：十六至十八世紀藝術的仿古風》（臺北：國立故宮博物院，2003年初版），頁241。 2.本社，〈宋燕文貴秋山琳宇〉，《故宮文物月刊》，第14期（1984年5月），封底裡。 &*燕文貴(約西元十一世紀)，浙江吳興人。少時曾流落京師(河南開封)為商販，後來才華被畫院待詔高益所賞識，得以進入畫院任祇候之職。山水、人物均佳，尤善於描繪四季景物，清雅可愛。畫院中人稱其畫為「燕家景」。本幅寫山峰林立，山谷中煙嵐留滯，似欲描寫山雨初收。澗壑奔流直瀉，小路迴曲，延向山中樓閣，景境幽靜清雅。雖款繫燕文貴，惟畫風較近似晚明。&*Yen Wen-Kuei was a native of Wu-hsing, Chekiang. When he was young, he went to the capital, K'aifeng, where he was a merchant. Later, he became a talented artist and received the favor of Kao I, a Painter-in-Attendance in the Painting Academy.Through Kao I, he entered the Painting Academy as an Attendant.He was a master of landscape and figure painting.He was particulary accomplished in painting landscapes of the four seasons. We may especially admire his delicate and charming style. In the Painting Academy, his paintings were called "Landscapes in Master Yen's style." This scroll depicts serried peaks; the autumn skies are beginning to clear but the mist has not yet dispersed, giving a clear impression of an autumnal atmospere. Through the mist a tumbling stream can be seen. A small path leads to a Taoist monastery in the mountains. Although this painting bears Yen Wen-kuei's signature, it is much closer in style to paintings of the Ming dynasty.&*本幅寫山峰林立，山谷中煙嵐留滯，似欲描寫山雨初收。澗壑奔流直瀉，小路迴曲，延向山中樓閣，景境幽靜清雅。本幅雖款繫燕文貴，惟畫風較近似晚明。燕文貴(約西元十一世紀)，浙江吳興人。少時曾流落京師(河南開封)為商販，後來才華被畫院待詔高益所賞識，得以進入畫院任祇候之職。山水、人物均佳，尤善於描繪四季景物，清雅可愛。畫院中人稱其畫為「燕家景」。(20100710)&* This work depicts many serried peaks with mists trailing the valleys between, like a scene shortly after rain. Torrents rush down the ravines as a path winds up to the buildings among the peaks, creating a serene and elegant setting. Though bearing a Yan Wengui signature, the style is actually closer to the late Ming (1368-1644). As a destitute youth, Yan Wengui (from Wuxing, Zhejiang) went to the capital (Kaifeng, Henan) to sell goods. His talent in art was recognized by the court painter Gao Yi, who recommended him. Yan thus served in the Painting Academy. A master of landscape and figures, Yan was gifted at scenes of the four seasons in a pure manner appreciated by many. In the Painting Academy, they were called “Yan Master Scenes.”(20100710)
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
