宋劉松年十八學士圖 卷
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- 資料識別：
- 故畫000995N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 劉松年
- 主題與關鍵字：
- 高士（士人、隱士） 侍從（侍女、童僕） 奇石 松 竹 柏 芭蕉 梧桐 鶴 庭院 欄杆 傢俱（屏風） 花器 文房用具 文玩（琴棋書畫） 香爐．火盆 扇 飲食器
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 44.5x182.3公分、隔水一 44.7x14.7公分、隔水二 14.6公分、拖尾 45x369.4公分、隔水三 14.4公分
- 關聯：
- 石渠寶笈三編（御書房），第七冊，頁3073 &*故宮書畫錄（卷四），第二冊，頁50 &*故宮書畫圖錄，第十六冊，頁227-234&*劉松年（活動於1174至1194年前後），浙江錢塘人，居清波門，俗呼為暗門劉。為南宋孝宗年間畫院學生，紹熙年待詔。工畫人物、山水，師張敦禮，神氣精妙，過其師。 唐太宗起文學館，以杜如晦、房玄齡等十八人為學士，分為三番，每日六人直宿，討論墳籍。命閻立本圖像，褚亮為贊，題名字爵里，號十八學士，藏之御府，時人謂之登瀛洲。本幅無作者名款，舊傳為劉松年之作。&*Liu Sung-nien was a Southern Sung court painter. Skilled in figure and landscape painting, his fame surpassed that of his teacher, Chang Tun-li. Though unsigned, this work is attributed to Liu Sung-nien. When the T'ang emperor T'ai-tsung (r. 627-649) founded the Hall of Literary Accomplishments, he appointed 18 scholars as Academicians. Divided into 3 groups, every day 6 were present to discuss texts. Yen Li-pen (600-674) was commissioned to paint their portraits and Chu Liang to inscribe their names and ranks. Kept in the imperial repository, the painting was called “Portraits of the Eighteen Scholars, ” becoming a favorite subject of later artists. Chiang Shen (style name Kuan-tao) was a native of Ch'u, Chekiang province. In his landscape paintings, he followed the styles of Tung Yüan (fl. 937-75) and Chü-jan (fl. 960-80). He was particularly adept at rendering expansive lake scenes. Layers of steep mountain line the course of a rushing river. Cottages and bridges intersperse and penetrate the continuous growth of thick, profuse forests. Indeed, this painting is like “Mount Sumeru contained in a mustard seed.” The painter has created the feeling of a thoroughbred horse racing along a narrow path.Chiang Shen was able to manipulate his brush to create whatever impression he wanted. He used a centered brush tip throughout the entire composition. The brushstrokes are swift, calculated, and rounded. Monochrome ink tones have been used for everything except the water and sky where “shell blue-green” wash (a mixture of indigo and ink) has been used. This is a unique technique.&*劉松年（活動於西元一一七四—一一九四年前後），浙江錢塘人。南宋孝宗時為畫院學生，紹熙年任職待詔。工山水、人物，師張敦禮而能青出於藍。 本幅無作者名款，舊傳為劉松年之作。唐太宗開文學館，選杜如晦、房玄齡等十八人為學士，每日分三班輪值，討論經史。並命閻立本繪圖，褚亮題贊，藏之御府，名為十八學士寫真圖。後世畫家亦喜沿此畫題。&*Liu Sung-nien was a Southern Sung court painter. Skilled in figure and landscape painting, his fame surpassed that of his teacher, Chang Tun-li. Though unsigned, this work is attributed to Liu Sung-nien. When the T'ang emperor T'ai-tsung (r.627-649) founded the Hall of Literary Accomplishments, he appointed 18 scholars as Academicians. Divided into 3 groups, every day 6 were present to discuss texts. Yen Li-pen (600-674) was commissioned to paint their portraits and Chu Liang to inscribe their names and ranks. Kept in the imperial repository, the painting was called “Portraits of the Eighteen Scholars,” becoming a favorite subject of later artists.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
