宋夏珪西湖柳艇圖 軸
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- 資料識別：
- 故畫000121N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 夏珪
- 主題與關鍵字：
- 春景 江河、湖海 名勝 楊柳 桃花 房舍 橋 筏（木．竹） 篷舟 店舖 人力車 傢俱（屏風） 行旅 漁夫、船夫 百姓
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 107.2x59.3公分、全幅 88.5公分
- 關聯：
- 石渠寶笈續編 （寧壽宮），第五冊，頁2722 &*故宮書畫錄（卷五），第三冊，頁103-104 &*故宮書畫圖錄，第二冊，頁199-200&*1.〈宋夏圭西湖柳艇圖〉，收入國立故宮博物院編輯委員會編，《春景山水畫特展圖錄》（臺北：國立故宮博物院，1987年一月初版），頁47-48。 2.王耀庭，〈宋夏圭西湖柳艇圖〉，《故宮文物月刊》，第47期（1987年2月），封底。 &* 本幅舊傳為夏圭之作，寫湖濱一角，依水民居，阡陌間楊柳依依，桃花灼灼，兩人乘轎遊山，僕役挑食盒等物隨於其後。上半幅盡在煙雲漫漶之中，遂覺滿紙空靈，布置精允。夏圭（活動西元1180─1230年前後），字禹玉，錢塘人。寧宗朝（1194─1224年）畫院待詔，善畫人物，山水尤工，與馬遠齊名，時稱馬夏。&* In this painting formerly attributed to Hsia Kuei, the artist has depicted a corner of West Lake in Hangchou. There are houses beside the water , and on the paths between the paddy fields, willows wave gently and peach trees are in full blossom. Two gentlemen in sedan chairs are going on a spring outing ; their servants walk behind them carrying boxes of food. The upper part of the picture is washed in mist, lending a feeling of vitality to the painting. Hsia Kuei, style name Yü-yü, was a native of Ch’ien-t’ang (modern Hang-chou), Chekiang. During the reign of Emperor Ning-tsung (1194-1224), Hsia Kuei served as Painter-in-Attendance in the Imperial Painting Academy. He and Ma Yüan are known together as the originators of the much admired and emulated “Ma-Hsia” style. &* 湖濱一角，依水民居，阡陌間楊柳依依，桃花灼灼，兩人乘轎遊山，僕役挑食盒等物隨於其後。上半幅盡在煙雲漫漶之中，遂覺滿紙空靈。西湖最盛為春月，一日之盛為朝煙，湖上由斷橋至蘇堤一帶，綠煙紅霧，瀰漫二十餘里，花態柳情，山容水意，別是一種趣味，此幅或似之。 畫無名款，舊傳為南宋院畫家夏珪（活動於十三世紀前半）之作。夏珪善畫人物、山水，與馬遠齊名，時稱「馬夏」。 &* In this painting is a corner of west Lake. By the water are residences, and, on the paths between the paddy fields, willows wave gently as peach trees are in full bloom. Two gentlemen are on a spring outing; their servants walk behind carrying boxes of food. The upper part of the work is washed in mist, lending a sense of vitality. West Lake is most beautiful in spring, especially its morning mist. The stretch from Broken Bridge to Su Embankment is lined with colorful blossoms and green willows. This painting bears no signature or seal of the artist, but has been traditionally attributed to the Southern Sung court painter Hsia Kuei. Excelling at figures and landscapes, he became as famous as his contemporary, Ma Yüan.
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
