元唐棣霜浦歸漁圖 軸
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- 資料識別：
- 故畫000254N000000000
- 資料類型：
- 繪畫
- 著作者：
- 唐棣
- 主題與關鍵字：
- 漁夫、船夫 松 耕織漁獵 溪澗、湍泉 寒林．枯樹
- 日期：
- 元順帝至元四年（1338）
- TIME STAMP:27-2月 -06
- 格式：
- 本幅 144x89.7公分&全幅 90.6公分
- 關聯：
- 石渠寶笈初編（重華宮），下冊，頁793 &故宮書畫錄（卷五），第三冊，頁186-187&故宮書畫圖錄，第四冊，頁225-226&唐棣（約西元一二八七至一三六四年），浙江吳興人。字子華，晚號遁齋。畫山水初學趙孟頫，後兼法韋偃、李成、郭熙，其中對郭熙用功最深。 本幅繪漁翁三人，肩負網罟漁具，且行且語，滿載而歸。畫近景喬木所用之蟹爪枝與畫坡石之雲頭皴，均傳承自郭熙，而整體布局之平遠法，則源於李成。幅左款署至元戊寅（一三三八），時正值唐氏盛年，故筆筆勁挺，誠為其平生傑作。&T'ang Ti, a native of Chekiang, initially studied the landscape style of Chao Meng-fu, but later also turned to the styles of Wei Yen, Li Ch'eng and Kuo Hsi. His greatest achievements, however, were as a follower of the Kuo Hsi tradition. Here, three fishermen carry their gear as they converse while walking along a frosty bank. The crab-claw branches of the trees and cloud-head texturing of the slope in the foreground both derive from the style of Kuo Hsi. The flat distance composition, however, is from that of Li Ch'eng. The artist's inscription at the middle left dates the work to 1338, making it mature work. This is one of T'ang Ti's masterpieces marked by a powerful brush and composition.& 唐棣（約1287？1355年），字子華，晚號遁齋。吳興人。幼聰穎，年方弱冠，詩畫均為鄉人推重。初畫山水學趙孟頫，得其華潤森鬱之趣。繼窺郭熙，晚縱筆入韋偃，而其中對郭熙用力最深。 畫松樹二株，挺峙幾達於頂端，枯樹三株左右偃仰橫斜，秋樹四株穿錯雜於其中。漁夫三人，背著網罟負荷漁具，邊走邊談笑。中段為嵐霧橫隔，虛淡杳遠。石頭用雲頭皴，坡則略帶披麻，乾筆為多，運筆雖微用側勢，然大皆出以中鋒，輪廓線條均勻，故覺圓厚。巨石下緣近水處不施勾皴，形成上豐下銳，並狀水氣空濛，此乃法郭熙「早春圖」。背景用淡層層托染，墨色豐郁，使主景更顯突出。 &T'ang Ti, a native of Chekiang, initially studied the landscape style of Chao Meng-fu, but later also turned to the styles of Wei Yen, Li Ch'eng and Kuo Hsi. His greatest achievements, however, were as a follower of the Kuo Hsi tradition. Here, three fishermen carry their gear as they converse while walking along a frosty bank. The crab-claw branches of the trees and cloud-head texturing of the slope in the foreground both derive from the style of Kuo Hsi. The flat distance composition, however, is from that of Li Ch'eng. The artist's inscription at the middle left dates the work to 1338, making it mature work. This is one of T'ang Ti's masterpieces marked by a powerful brush and composition.
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- 國立故宮博物院
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