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符合的藏品

共找到 13 筆符合的資料

明董其昌臨宋四大家書　卷

'ing, Kiangsu province. His style name was Hsüan-tsai and he was known by the sobriquet Ssu-pai.....more

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米黻兩跋，出於舊題為褚遂良摹的臨本。整幅書風具有米黻的靈活。&*Wang hung-Hsü, a native of Hua-t'ing (modern Shanghai), served.....more

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’in I followed the calligraphic styles of Ou-yang Hsün (557-641) and Ch’u Sui-liang (596-658). His.....more

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」。 &* Tung Ch’i-ch’ang was a native of Hua-t’ing, Kiangsu. His style name was Hsüan-tsai; his.....more

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'ang (1555-1636) was a native of Hua-t'ing, Kiangsu province. His style name was Hsüan-tsai.....more

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) was a native of Hua-t'ing, Kiangsu province. His style name was Hsüan-tsai and he was known.....more

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), but they are not aware that he was influenced by Ou-yang Hsün (557-641) and Ch'u Sui-liang (596-658)". The epitaph.....more

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) was a native of Hua-t'ing, Kiangsu province. His style name was Hsüan-tsai and he was known.....more

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at the end of the Sui dynasty he urged his father to raise an army, with which he succeeded.....more

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Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing, Kiangsu province. His style name was Hsü.....more

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, yielding a remarkably good painting. Tung Ch’i-ch’ang (style name Hsüan-tsai.....more

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as Auspicious Omen (feng-sui hsien-chao豐綏先兆) is a homonym for the blessing” “Ennobled Reflection.....more

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。本幅書法筆意柔婉而富拙趣，歷代論者多認為是褚遂良晚年作品。近代學者則以其文中之避諱用字習慣，與唐代情況不類，而書體之用筆亦與褚書有所出入，結構較似歐體，認為是宋人臨寫。&*Ch'u Sui-liang.....more

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