符合的藏品

共找到 27 筆符合的資料

清戴天瑞秋山落照　軸

of a brush. All the trees and rocks were rendered with the finger tip and fingernail dipped in ink.....more

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the surfaces of trees and rocks. He made little use of ink wash to produce the strong contrast.....more

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. In his painting of figures and landscapes, the gradations of ink tone and hoary brush strokes give one.....more

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, gibbons, cranes, and figures. His use of brush and ink was pure and unadulterated. Most of his.....more

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completed using the tip of the brush, then light wash was repeatedly applied, resulting in a thick.....more

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own individual contributions. Critics of former times have said that he excelled at using the brush.....more

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oughout, big axe-cut texture strokes are employed to model the mountains and rocks, while layers of wash.....more

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(20101015)&*The rocks and landscape forms in this painting reveal dramatically twisting outlines of brush.....more

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brush to create whatever impression he wanted. He used a centered brush tip throughout the entire.....more

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to manipulate his brush to create whatever impression he wanted. He used a centered brush tip.....more

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, lifting, and turning of the brush reveals characters that lean precariously.....more

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Wang Hui and consequently focused on flowers and plants. Incorporating the “boneless” wash method.....more

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