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清鄒一桂畫秋色 軸

清鄒一桂畫秋色 軸

葉片由綠轉為紅黃兩色,乍看易將變色葉視作花朵。鄒一桂花卉學惲壽平沒骨疊色漬染,設色秀潤淡雅,畫意盡在畫家題詩之中。 &* Tsou I-kuei (style name Yüan-pao.....more

16/34
清張宗蒼畫雲崖錦樹 軸

清張宗蒼畫雲崖錦樹 軸

Yüan-ch’i(1642-1715). In 1751 he was summoned to the capital to serve as a court artist.....more

17/34
清張宗蒼竹亭觀瀑圖 軸

清張宗蒼竹亭觀瀑圖 軸

painter he was a student of both Huang Ting (1660-post.1730) and Wang Yüan-ch’i (1642-1715.....more

18/34
清惲壽平燕喜魚樂 軸

清惲壽平燕喜魚樂 軸

幅以沒骨法繪成,直接用色點染,再略加勾畫葉脈筋絡。全幅設色典雅,有脫俗的氣質。&* A native of Kiangsu, Yün Shou-p’ing was the leading.....more

19/34
清鄒一桂畫金英秋實 軸

清鄒一桂畫金英秋實 軸

style originally derived from that of Yün Shou-p’ing (1633-1690). This painting was done.....more

20/34
清鄒一桂畫墨梅 軸

清鄒一桂畫墨梅 軸

應皇帝旨意而畫,循規蹈矩不敢肆意放手,所以,作品多是用筆工整,用墨潔淨,著色穠艷,反失去一種平實眞率、自然生動的韻致。有時隨興戯筆的,卻有不少佳作。 &* Tsou I-kuei (tzu Y.....more

21/34
清鄒一桂畫藤花 軸

清鄒一桂畫藤花 軸

屬宮廷應制而畫,作畫態度,循規蹈矩,不敢稍意逾越,因此,用筆工細,著色穠艷,特別具有一種精美富麗的氣息。 &* Tsou I-kuei was style-named Yüan-pao.....more

22/34
宋錢選畫時苗留犢圖 卷

宋錢選畫時苗留犢圖 卷

(196-219) of the Eastern Han, Shih Miao was county magistrate of Shou-ch'un (modern Shou County.....more

23/34
清吳歷雲白山青圖 卷

清吳歷雲白山青圖 卷

with Wang Yüan-ch’i and Yün Shou-p’ing as the “Six Masters of the Early.....more

24/34
清張宗蒼畫雪景御題 軸

清張宗蒼畫雪景御題 軸

Hüan-ts’un, Shou-chü) was a native of Wu-hsien, Kiangsu. In 1753 A.D. he presented.....more

25/34
清鄒一桂歲朝圖 軸

清鄒一桂歲朝圖 軸

paintings derived from the style of Yün Shou-p’ing. Many of his best works were commissioned.....more

26/34
清鄒一桂畫藤花芍藥 軸

清鄒一桂畫藤花芍藥 軸

色雅艷。此畫紫藤芍藥,精工妍麗,不失本家面目。 &* Tsou I-Kuei (style name Yüan-pao and sobriquets Hsiao-shan, Jang-ch.....more

27/34
清柳遇畫鶯粟 軸

清柳遇畫鶯粟 軸

with that of Yün Shou-p’ing. &*柳遇,字仙期,清代乾隆年間(1736 -1795)江蘇吳縣人。特長於臨摹古代名跡,人譽其僅亞於仇英(約1494-1552)。畫人物精密生動.....more

28/34
清鄒一桂畫梨花夜月 軸

清鄒一桂畫梨花夜月 軸

their delicacy. The brush work, similar to Yün Shou-p’ing’s, is in the “boneless” manner.....more

29/34
清惲壽平花卉 軸

清惲壽平花卉 軸

。  此幅畫柏枝、玉蘭、牡丹,即所謂玉堂富貴之吉祥語。畫題甚俗,而畫甚雅逸,非高手不能為。 &Flowers and Plants Yün Shou-p’ing.....more

30/34
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