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符合的藏品
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名繪集珍 冊 宋黃居寀竹石錦...
stronger here. Thus , this painting may date from the latter half of the twelfth century.....more
- 1036/2459
宋元集繪 冊 宋許迪野蔬草蟲
in flight. Each of these four subjects occupies a corner of the painting. Such an arrangement may.....more
- 1037/2459
清鄒一桂太古雲嵐 軸
in the theory as well as the practice of painting and authored a manual of painting, Hsiao-shan hua-p’u. Tsou I.....more
- 1038/2459
元趙孟頫畫淵明歸去來辭 卷
，但覺暮色已沈，秋氣襲人。 趙孟頫（西元一二五四—一三二二年），宋宗室，字子昂，號松雪道人。仕元，至翰林學士承旨。書畫為後世所宗。&*This painting with neither seal.....more
- 1040/2459
清王武畫花卉 冊 竹下紅梅
as Yűn Shou-p’ing (1633-1690). This is a painting of several stalks of emerald bamboo and branches.....more
- 1041/2459
清丁觀鵬墨妙珠林（戌） 冊
at painting Buddhist and Daoist themes, figures, buildings, and landscapes. Admired by the Qianlong.....more
- 1042/2459
五代董源江堤晚景 軸
landscape painter, excelled at painting Kiangnan scenery of the south as well as oxen, tigers, dragons.....more
- 1043/2459
鏤繪集錦 冊 八哥桃花
reflects much of the bird-and-flower genre of painting in the Sung dynasty. Though the tail feathers.....more
- 1045/2459
清蔣廷錫畫四瑞慶登圖 軸
of bird-and-flower painting in the “boneless” (wash) style, he followed the style of Yün Shou-p’ing.....more
- 1046/2459
清高其佩江山春靄 軸
’ieh-yüan and Nan-ts’un, was from Liao-yang, Manchuria. He was good at finger painting, and said.....more
- 1048/2459
