搜尋:mi mi

符合的藏品

名稱:峨眉天主堂

名稱:峨眉天主堂

:姜信淇 名稱:峨眉天主堂 客語拼音:海陸:ngo mi tien`zhu+tong 臺灣客庄文化數位典藏系統 所在地:新竹縣峨眉鄉 經度:121.022148 緯度:24.687565 歷史沿革:峨.....more

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名稱:峨眉自來水廠遺跡

名稱:峨眉自來水廠遺跡

員:姜信淇 名稱:峨眉自來水廠遺跡 客語拼音:海陸:ngo mi cii+ loi shui+chong』vui ziag 臺灣客庄文化數位典藏系統 位置與範圍:新竹縣 峨眉鄉 峨眉村 所在地:新竹縣.....more

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宋文同墨竹 軸

宋文同墨竹 軸

for bamboo leaves is said by Mi Fu (1051-1107) to have started with Wen T'ung. 本幅.....more

303/1430
元高克恭群峰秋色 軸

元高克恭群峰秋色 軸

following the wet brush style of the Mi family. Within a cloudy valley, hills rise in layers above streams.....more

304/1430
明陶成菊花雙兔圖 軸

明陶成菊花雙兔圖 軸

, supposedly even greater than that of Mi Fu or Kuo Chung-shu. 本幅 183.3x108.6公分、全幅 110公分 明孝宗弘治九年(1496) 類型:繪畫 型.....more

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明趙左雲巖響瀑圖 軸

明趙左雲巖響瀑圖 軸

done in the style of Mi Fei (1051-1107), possess a wonderful quality. The tide has just come.....more

306/1430
明董其昌倣顏真卿書 軸

明董其昌倣顏真卿書 軸

the styles of Li Yung, Yang Ning-shih and Mi Fu. This late work follows after, but is not a copy.....more

307/1430
墨林拔萃 冊 元方從義惠山舟行圖

墨林拔萃 冊 元方從義惠山舟行...

. In landscapes, following the styles of the Two Mi's and Kao K'o-kung. Praised for his noble.....more

308/1430
明董其昌倣顏真卿書 軸

明董其昌倣顏真卿書 軸

the styles of Li Yung, Yang Ning-shih and Mi Fu. This late work follows after, but is not a copy.....more

309/1430
清張照書御製芝蘭曲 軸

清張照書御製芝蘭曲 軸

after which he studied the works of Mi Fu of the Northern Sung and Yen Chen-ch'ing of the T'ang dynasty.....more

310/1430
清赫奕煙江漁艇 軸

清赫奕煙江漁艇 軸

. In this painting, Ho I used the “cloudy mountain” painting method originated by Mi Fu (1041-1107), who employed.....more

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清沈荃倣顏真卿告身帖 軸

清沈荃倣顏真卿告身帖 軸

influenced by Mi Fu’s. Much admired for his calligraphy, Shen was even ordered to the palace to discuss.....more

312/1430
清沈荃書伊川四箴 軸

清沈荃書伊川四箴 軸

influenced by Mi Fu’s. Admired for his calligraphy, Shen was even summoned to the palace to discuss.....more

313/1430
清陳奕禧書醉翁亭記 冊

清陳奕禧書醉翁亭記 冊

. Chen started his study of calligraphy with Dong Qichang’s style, to which he added Mi Fu’s.....more

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清張照書千字文 冊

清張照書千字文 冊

of Mi Fu and Yan Zhenqing. This album, done in 1741, features adept brushwork and mature lines.....more

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