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元倪瓚遠岫樹石圖　軸

;an-chen, hao Yün-lin) came from Wu-hsi in Kiangsu province. He was known for his pure.....more

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宋人千巖萬壑　軸

. Based on style, the painting appears to date from the late Yüan or early Ming (late 14th c.....more

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明戴進撫松觀瀑　軸

;an and Hsia Kuei combined with the Li Ch’eng and Kuo Hsi tradition of the Yüan. He is considered.....more

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清關槐黃鶴樓圖　軸

漢之寫生景也。 &* Kuan Huai(18th cent.) , whose style name was Chin-ch’ing and sobriquets Yün-yen.....more

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清禹之鼎山水　軸

。 &* Yü Chih-t’ing was born in 1647 and was still alive in 1709. He was a native of Chiang-tu.....more

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清唐岱畫歸隱圖　軸

painter, modeling his landscapes after the style of Wang Yüan-ch’i. During the K’ang-hsi reign.....more

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清鄒一桂畫秋色　軸

葉片由綠轉為紅黃兩色，乍看易將變色葉視作花朵。鄒一桂花卉學惲壽平沒骨疊色漬染，設色秀潤淡雅，畫意盡在畫家題詩之中。 &* Tsou I-kuei (style name Yüan-pao.....more

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宋馬遠畫王羲之玩鵝圖　軸

馬遠。南宋馬遠、夏珪一系的畫風，於明代十五世紀時再度興盛，本幅顯現明代特徵。這是古代於無款書畫，定名往往用相關有名畫家來搭配。布局虛左實右，松樹蟠繞，羲之觀鵝，畫家用意頗能展現。&* Wang Hsi.....more

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清鄒一桂畫藤花　軸

屬宮廷應制而畫，作畫態度，循規蹈矩，不敢稍意逾越，因此，用筆工細，著色穠艷，特別具有一種精美富麗的氣息。 &* Tsou I-kuei was style-named Yüan-pao.....more

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唐褚遂良摹王羲之長風帖　卷

of Yü Shih-nan (558-638), the Emperor T'ai-tsung complained that he had no one to discuss.....more

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宋拓聖教序　冊

this rubbing was taken still survives at the “Forest of Steles” in Hsi-an. The earliest surviving.....more

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清徐揚繪鵝子圖御題　軸

; Yang, whose sobriquet was Yün-t’ing, was a native of Wu-hsien, Kiangsu. He excelled at depicting.....more

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明馬軾春塢村居圖　軸

Hsi, Ma Yüan, and Hsia Kuei of the Southern Sung dynasty. Mountains in the center.....more

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清弘?松塢雲濤　卷

from Wang Yüan-ch’i, which would explain the similarity of the composition and style with those.....more

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清禹之鼎擬趙千里山水　軸

有如一派人間仙境。趙伯駒為南北宋之間的青綠山水畫名家，後世頗多畫家倣效。本幅重設色，輪廓處用泥金勾勒，這是典型的青綠法。&* Yü Chih-ting (style name Tzu-chi.....more

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