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明花卉畫冊 冊 明陳洪綬花卉

明花卉畫冊 冊 明陳洪綬花卉

, Chekiang. A gifted poet, calligrapher, and painter, he held an honorary academic title but refused.....more

1636/4481
清唐岱秋林讀易圖 軸

清唐岱秋林讀易圖 軸

’ang-hsi emperor (r.1662-1722), he held the position of Palace Attendant and was awarded a degree.....more

1637/4481
明陸遠摹古 冊 水閣觀流

明陸遠摹古 冊 水閣觀流

, all of which reveal Lu Yüan’s own personal style. Although he copied the brushwork and brush.....more

1638/4481
清錢維城棲霞全圖 軸

清錢維城棲霞全圖 軸

. As a youth, he studied flower painting under his grandmother Ch’en Shu. He later also studied.....more

1639/4481
清張宗蒼畫雪景御題 軸

清張宗蒼畫雪景御題 軸

Hüan-ts’un, Shou-chü) was a native of Wu-hsien, Kiangsu. In 1753 A.D. he presented.....more

1640/4481
清宋駿業林亭煙岫 軸

清宋駿業林亭煙岫 軸

the painting depicting the K’ang-hsi Emperor’s inspection tour to the south, he hired the famous painter Wang.....more

1641/4481
娘也十八哥二二

娘也十八哥二二

澎湖 褒歌 數位化執行單位:國立澎湖科技大學 觀光休閒系 採集時間:1995-07-18 講述者:薛楊腰 娘也十八哥二二 採集地點:西嶼鄉赤馬村 歌詞:娘也十八哥二二, 歌詞:niu5 a0-3 t.....more

1642/4481
清錢維城畫豫省白雲寺圖 軸

清錢維城畫豫省白雲寺圖 軸

in the Yüan dynasty (1279-1368), he composed 6 truncated verses. Returning to the palace, he had.....more

1643/4481
清董邦達畫返照歸雲圖 軸

清董邦達畫返照歸雲圖 軸

Tung Pang-ta (tzu Fu-ts’un, hao Tung-shan) was a native of Fu-yang in Chekiang. He received the chin.....more

1644/4481
清蔣木?鼎松竹梅 軸

清蔣木?鼎松竹梅 軸

-shu, Kiangsu. In 1751, he received his chin-shih civil service degree and entered the Hanlin Academy.....more

1645/4481
宋人法書(四) 冊 洪咨夔致舟公堂頭禪師尺牘

宋人法書(四) 冊 洪咨夔致舟...

. At that time he was very ill, which is why he wrote, “Gibbons and cranes have entered my dreams.....more

1646/4481
民國溥儒白描觀音 軸

民國溥儒白描觀音 軸

-shih) who was a member of Ch’ing imperial family. From the time he was a child he diligently learned.....more

1647/4481
民國傅抱石雪意圖 軸

民國傅抱石雪意圖 軸

and figure painting, he synthesized Chinese and Western techhiques while also studying from nature.....more

1648/4481
明蔣嵩歸漁圖 軸

明蔣嵩歸漁圖 軸

. A leading Che School painter, he often worked with scorched ink that gave his style an immediate.....more

1649/4481
明汪肇淵明愛菊圖 軸

明汪肇淵明愛菊圖 軸

) and Wu Wei (1459-1508). He described his brushwork as “wavy clouds (hai-yün)”, a term he also.....more

1650/4481