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符合的藏品

明仇英畫淵明歸去來辭 卷

明仇英畫淵明歸去來辭 卷

to be illustrated consecutively. Here T’ao Yüan-ming appears repeatedly as the main character.....more

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明錢穀白嶽遊圖 冊

明錢穀白嶽遊圖 冊

. Traveling by boat on the Fu-ch’un River, he passed by T’ung-lu and Ch’un-an. He then traveled.....more

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元王蒙秋山草堂圖 軸

元王蒙秋山草堂圖 軸

of Wu-hsing, Chekiang. The grandson of the famous artist Chao Meng-fu (1254-1322), he successfully.....more

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元王蒙東山草堂圖 軸

元王蒙東山草堂圖 軸

Meng-fu, he successfully absorbed Chao's methods, yet was able to develop his own style, eventually.....more

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元趙孟頫古木散馬圖 卷

元趙孟頫古木散馬圖 卷

公麟。 原野秋深,古木下散馬兩匹,無鞍韉之累,狀極幽閒自適。全幅以白描法為之,用筆古勁秀逸,流暢而有力,造景新奇蕭疏,具文人畫氣息。&*Chao Meng-fu was an 11th.....more

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元人上林羽獵圖 卷

元人上林羽獵圖 卷

-lin fu), describing how the prince went hunting in the imperial forest. In this painting, the artis.....more

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明文伯仁五月江深圖 軸

明文伯仁五月江深圖 軸

and title of this painting is derived from a line of poetry by Tu Fu (712-770) which reads.....more

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明唐寅花溪漁隱圖 軸

明唐寅花溪漁隱圖 軸

was brilliant, carefree and eccentric. In 1498, he attained the degree of chieh-yüan in Nanking. He.....more

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明文徵明畫蘭竹 軸

明文徵明畫蘭竹 軸

, and sobriquets T’ing-yün-sheng and Heng-shan chü-shih) was a native of Ch’ang.....more

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明文徵明蕉陰仕女圖 軸

明文徵明蕉陰仕女圖 軸

(style-name Cheng-chung; sobriquets T’ing-yün-sheng and Heng-shan-chü-shih) was a native.....more

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元趙雍畫小春熙景 軸

元趙雍畫小春熙景 軸

and rocks, and figures does not appear to be that of the Yüan dynasty. This work probably dates.....more

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宋薛紹彭雜書 卷

宋薛紹彭雜書 卷

was a friend of the calligrapher-collector Mi Fu and Liu Ching. In his own calligraphy, he studied.....more

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元王蒙芝蘭室圖 卷

元王蒙芝蘭室圖 卷

Mountain") was a native of Wu-hsing, present day Soochow. The grandson of Chao Meng-fu, he successfully.....more

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明孫克弘畫花卉 卷

明孫克弘畫花卉 卷

a different master for each style of painting: Ma Yüan for landscape, Mi Fu for snowy mountains.....more

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清陳士倌聖帝明王善端錄(漢) 冊

清陳士倌聖帝明王善端錄(漢) ...

legendary times to the Yüan and Ming (1279-1644), this work is done in four volumes. Painting.....more

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