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符合的藏品

明劉度仿趙承旨長春翠柏 軸

明劉度仿趙承旨長春翠柏 軸

by the mossy rock. Said to be after a work by Chao Meng-fu (1254-1322), the brushwork and coloring here.....more

1726/12225
明文伯仁五月江深圖 軸

明文伯仁五月江深圖 軸

and title of this painting is derived from a line of poetry by Tu Fu (712-770) which reads.....more

1727/12225
明徐渭榴實 軸

明徐渭榴實 軸

he mastered the running-cursive style of Mi Fu. An outstanding painter, he produced superb.....more

1728/12225
明陸師道臨文徵明吉祥庵圖 軸

明陸師道臨文徵明吉祥庵圖 軸

of the works of Chao Meng-fu (1254-1322). 本幅 90.7x40.9公分、全幅 66公分 明神宗萬曆九年(1581) 類型:繪畫 型式:靜態圖像 陸師道 數位化執行單位.....more

1729/12225
明仇英柳塘漁艇 軸

明仇英柳塘漁艇 軸

return to a serene rural existence. Ch’iu Ying (whose style-name was Shih-fu and sobriquet, Shih-chou.....more

1730/12225
明唐寅花溪漁隱圖 軸

明唐寅花溪漁隱圖 軸

was written in the style of Chao Meng-fu (1254-1322) and is related to that on Conversation in the Women’s.....more

1731/12225
明文徵明畫蘭竹 軸

明文徵明畫蘭竹 軸

of the style of Chao Meng-fu (1254-1322). The brushwork is flowing and fluent and done.....more

1732/12225
明項德新秋江雲樹圖 軸

明項德新秋江雲樹圖 軸

and connoisseur Hsiang Yüan-pien. His style name was Fu-ch’u. He excelled at painting landscapes.....more

1733/12225
明文徵明蕉陰仕女圖 軸

明文徵明蕉陰仕女圖 軸

day in 1539, after he had seen a painting on the same theme by Chao Meng-fu (1254-1322). &*  己亥(一五三九.....more

1734/12225
明仇英觀榜圖 卷

明仇英觀榜圖 卷

-fu, sobriquet Shih-chou) was a native of T’ai-ts’ang, Kiangsu province. He was skilled in paint.....more

1735/12225
明仇英人物圖 軸

明仇英人物圖 軸

活的情趣。此圖人物畫法與仇英平日筆不相類近,恐係後人偽託。 &*Children/ Ch’iu Ying, style name Shih-fu, was a native of T’ai-ts.....more

1736/12225
明張復秋山行旅圖 卷

明張復秋山行旅圖 卷

。此卷畫成於萬曆辛丑(一六○一)年。(20110405)&*Zhang Fu (style name Yuanchun, sobriquet Lingshi), a native of Taicang.....more

1737/12225
元趙雍畫小春熙景 軸

元趙雍畫小春熙景 軸

, excelled at painting figures and horses. The son of the Chao Meng-fu, both of them were renowned.....more

1738/12225
明張宏畫布袋羅漢 軸

明張宏畫布袋羅漢 軸

he met the monk Pao-fu and received spiritual instruction from him. While.....more

1739/12225
元人法書 冊 張雨書聽泉亭絕句

元人法書 冊 張雨書聽泉亭絕句

the running script is free and natural, we see traces of his early study of Chao Meng-fu’s style.....more

1740/12225