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符合的藏品

共找到 7453 筆符合的資料

宋郭熙寒林圖　軸

described. The leaves have already withered and fallen into decay. All that remains are the dry.....more

3766/7453

元黃公望富春山居圖　卷

first laid out in light ink and then finished with applications of dark and dry brushwork.....more

3767/7453

明張宏石屑山圖　軸

and wet and dry creates an impression of a light, airy quality, much like the atmosphere of a summer.....more

3768/7453

明夏昶清風高節圖　軸

翩舞動。 &*Bamboo in the Wind Hsia Ch’ang (1388-1470) Ming Dynasty Both dry and wet ink have been used.....more

3769/7453

明陸復梅花　軸

” technique of calligraphy, allowing the white ground to show through the dry brushwork.....more

3770/7453

明唐寅函關雪霽　軸

is applied with a dry brush in V shaped strokes. T’ang Yin’s early works, up.....more

3771/7453

明文徵明江南春圖　軸

of the mountains is little more than outlines with just a bit of dry ink and extremely few texture.....more

3772/7453

明董其昌夏木垂陰圖　軸

dark to light and wet to dry. The composition is complex but not confused.....more

3773/7453

明陸治支硎山圖　軸

to the scenery around him. He used angular brushwork to outline the rocky forms as well as dry and light ink.....more

3774/7453

明陸治天池石壁　軸

;an and those of Shen Chou and Wen Cheng-ming. In his later years, he used dry ink sparingly to create hills.....more

3775/7453

明陸治花谿漁隱　軸

on the bank above him seem to be gazing at the waterfall. Lu Chih has here used a dry brush and pale ink.....more

3776/7453

明陸治仙山玉洞圖　軸

Cheng-ming. In later years, Lu used increasingly dry ink and more forceful brushwork to create a style.....more

3777/7453

元明人題錢譜雜文　冊　楊維禎書...

and taut, and the calligraphy eccentric. The differences between moist and dry.....more

3778/7453

明陸治山水　卷

for painting with sparse and dry brushwork and representing desolate scenes of wide stretches of water.....more

3779/7453

名畫琳瑯　冊　明文嘉石湖秋色

ink was applied to a preliminary layer of light ink just as it began to dry, and thus the two layers.....more

3780/7453

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