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宋元集繪 冊 元朱德潤松澗橫琴

宋元集繪 冊 元朱德潤松澗橫琴

隆「琴箋」云:「鼓琴偏宜於松風澗響之間,三者皆自然之聲,正合類聚。」所述與本幅所描繪內容深有契合處。&*Chu Te-jun, a native of Honan province, excelled.....more

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明郭詡東山攜妓圖 軸

明郭詡東山攜妓圖 軸

to the capital. Later, he refused a call to service by Prince Ning (Chu Ch’en-hao), who revolted in 1519.....more

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清王鑑倣趙孟頫山水 軸

清王鑑倣趙孟頫山水 軸

。 &*Wang Chien (style name, Yüan-chao; sobriquet, Hsiang-pi) called himself Jan-hsiang an-chu.....more

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明人畫扇(亨) 冊 明陸治萬壑楓色

明人畫扇(亨) 冊 明陸治萬壑...

understanding of painting. He studied calligraphy with Chu Yün-ming (1460-1526) and painting.....more

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清王時敏松巖靜樂圖 軸

清王時敏松巖靜樂圖 軸

of the Four Wangs of the Ch’ing dynasty, was from T’ai-ts’ang in Kiangsu. His tzu (style name) was Hsun-chih.....more

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清永瑢松壑層軒 軸

清永瑢松壑層軒 軸

幽遠之致,頗有大年遺意。上面一段,山石嶔磊,遠山列插似圭,並染以石綠,花青和淡墨,能得蒼翠之趣。 &*Yung Jung(1743-1790), style-named Chiu-ssu chu.....more

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明文徵明尺牘 卷

明文徵明尺牘 卷

Pi, style name Wei-chung and sobriquets T'ing-yun-sheng and Heng-shan chu-shih) was a native of Ch.....more

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清朱若極梅竹 軸

清朱若極梅竹 軸

。 &* Shih-t’ao, a native of Kweilin in Kwangsi, was the style name of Chu Juo-chi. A Ming imperial.....more

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鏤繪集錦 冊 鶺鴒紅蓼

鏤繪集錦 冊 鶺鴒紅蓼

,將瞬間發生的情景緙織的維妙維肖。緙織精密,作風沈靜寫實,有宋代花鳥冊頁畫意。本幅為「鏤繪集錦冊」第六幅。 &*Chu K’o-jou, also named Ch’iang.....more

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清王翬夏山?雨圖 卷

清王翬夏山?雨圖 卷

轉,雲飛瀑濺,真是美不勝收。 &*Wang Hui was a native of Ch’ang-shou, Kiangsu. He became the foremost painter.....more

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宋劉松年十八學士圖 卷

宋劉松年十八學士圖 卷

and Chu Liang to inscribe their names and ranks. Kept in the imperial repository, the painting.....more

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宋李成寒江釣艇 軸

宋李成寒江釣艇 軸

are steady. The artist here was obviously familiar with the style of Li Ch’eng and Kuo His (fl.11th c.....more

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唐盧鴻草堂十志圖 卷

唐盧鴻草堂十志圖 卷

composed of individual paintings preceded by poems done in the style of such calligraphers as Ch'u.....more

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明陳洪綬喬松仙壽圖 軸

明陳洪綬喬松仙壽圖 軸

,線條用筆圓勁中鋒。松、石造型規律,頗富圖案裝飾趣味。 &*Chang-hou, Ch’en Hung-shou was a native of Chu-chi, Chekiang. In his.....more

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宋人法書(三) 冊 宋范成大書尺牘

宋人法書(三) 冊 宋范成大書...

Ch'eng-ta(style name Chih-neng; sobriquet Shih-hu chu-shih) was a native of Wu-hsien. Receiving his.....more

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