搜尋:chih shih

符合的藏品

明徐渭荷花 軸

明徐渭荷花 軸

-ch’ang, his hao (sobriquets) T’ien-chih and Ch’ing-t’eng-too-jen. His disposition was very strange.....more

211/1441
明孫枝玉洞桃花 軸

明孫枝玉洞桃花 軸

,桃花盛開,花叢中一樓高起,近處長松兩株。一叟一童,方渡小橋而至。通幅用筆,皆從衡山蛻化而來,以雅淡見勝。 &*Sun Chih was a native of Wu-hsien (modern.....more

212/1441
明莫是龍東岡草堂圖 軸

明莫是龍東岡草堂圖 軸

。 &* Mo Shih-lung, was a native of Hua-t’ing in Kiang-su, but later moved to Shanghai. An unusual.....more

213/1441
明宋旭歲朝報喜圖 軸

明宋旭歲朝報喜圖 軸

was a native of Chia-hsing in Chekiang. His style name was Ch’u-yang and his sobriquet was Shih-men. When.....more

214/1441
明董其昌仿米瀟湘白雲 軸

明董其昌仿米瀟湘白雲 軸

received his chin-shih civil service degree in 1588. He ultimately became President of the Board.....more

215/1441
明文徵明草書七言詩 軸

明文徵明草書七言詩 軸

月,遊覽蘇州城郊所見。 &*Wen Cheng-ming (style name Cheng-chug, sobriquet Heng-shan chu-shih) was a native.....more

216/1441
明宣宗壺中富貴圖 軸

明宣宗壺中富貴圖 軸

is a seal that reads Hsüan-te pi-ko t’u-shu chih pao (“Hsüan-te Treasure.....more

217/1441
宋四家法書 卷 宋蔡襄上資政諫議明公尺牘

宋四家法書 卷 宋蔡襄上資政諫...

classicism and stately manner of Yen Chen-ch'ing's (709-785), Yu Shih-nan's (558-638), and Wang Hsien-chih.....more

218/1441
宋四家法書 卷 宋黃庭堅致明叔同年尺牘

宋四家法書 卷 宋黃庭堅致明叔...

國立故宮博物院 石渠寶笈續編(養心殿),第二冊,頁1102-1103 &*故宮書畫錄(卷一),第一冊,頁141-144 &*Huang T'ing-chien (style name Lu-chih.....more

219/1441
清鄒一桂畫秋色 軸

清鄒一桂畫秋色 軸

; sobriquets Hsiao-shan, Jang-ch’ing and, late in life, Erh-chih lao-jen) was a native of Wu-hsi.....more

220/1441
清王敬銘山水 軸

清王敬銘山水 軸

the chih-shih degree in 1713. Before attaining this degree he served as a court painter. In painting.....more

221/1441
清鄒一桂畫盎春生意 軸

清鄒一桂畫盎春生意 軸

) Hsiao-shan, Jang-ch’ing, and in later years Erh-chih lao-jen. In 1727 he received his chin-shih.....more

222/1441
清鄒一桂畫藤花 軸

清鄒一桂畫藤花 軸

; his sobriquets were Little Mountain, Jang-ch’ing, and in his later years, Old Man Erh-chih. He.....more

223/1441
清鄒一桂秋塘釣艇圖 軸

清鄒一桂秋塘釣艇圖 軸

。 &* Tsou I-kuei, style name Yüan-pao, sobriquets Hsiao-shan, Erh-chih, and Jang-ch’ing, was a native.....more

224/1441
明文徵明自書詩帖 卷

明文徵明自書詩帖 卷

derives its force from the styles of Su Shih (1036-1101), Huang T’ing-chien, Mi Fu (1052-1107.....more

225/1441