搜尋:chao fu

符合的藏品

明文徵明蕉陰仕女圖 軸

明文徵明蕉陰仕女圖 軸

day in 1539, after he had seen a painting on the same theme by Chao Meng-fu (1254-1322). &*  己亥(一五三九.....more

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元人法書 冊 張雨書聽泉亭絕句

元人法書 冊 張雨書聽泉亭絕句

the running script is free and natural, we see traces of his early study of Chao Meng-fu’s style.....more

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元明人題錢譜雜文 冊 倪中書長歌 

元明人題錢譜雜文 冊 倪中書長...

overpowering influence of Chao Meng-fu. 本幅 25x32.6公分、全幅 31x45.8公分 類型:書法 型式:文字 倪中 數位化執行單位:國立故宮博物院 元明人題錢譜.....more

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唐孫過庭書孝經 冊

唐孫過庭書孝經 冊

style-name was Kuo-t'ing. He served as a Recorder in the Shuai-fu. He was a man of wide culture.....more

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明沈周墨菊 軸

明沈周墨菊 軸

t was not until the early Yüan Dynasty (1279-1368) that such painters as Ch’ien Hsüan and Chao.....more

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明孫克弘畫花卉 卷

明孫克弘畫花卉 卷

a different master for each style of painting: Ma Yüan for landscape, Mi Fu for snowy mountains.....more

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明鄭重倣王蒙葛洪移居圖 軸

明鄭重倣王蒙葛洪移居圖 軸

), he moved his residence there and settled down in Mountain Lo-fu to practice the skill of refining.....more

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元趙孟頫書畫孝經 卷

元趙孟頫書畫孝經 卷

and flowing, and enlivens the depicted characters. A scion of the Sung imperial family, Chao Meng-fu.....more

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元王蒙具區林屋 軸

元王蒙具區林屋 軸

多變。樹葉以赭石、藤黃、朱砂等點染,遂使秋意滿幅。全作用筆用色,俱至神妙。山石樹木層疊充塞,構圖幾乎密不透風,但無迫塞之感。&*Wang Meng was a grandson of Chao.....more

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元王蒙具區林屋 軸

元王蒙具區林屋 軸

多變。樹葉以赭石、藤黃、朱砂等點染,遂使秋意滿幅。全作用筆用色,俱至神妙。山石樹木層疊充塞,構圖幾乎密不透風,但無迫塞之感。&*Wang Meng was a grandson of Chao.....more

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元顧安倪瓚合作古木竹石 軸

元顧安倪瓚合作古木竹石 軸

was an excellent calligrapher and studied the style of Chao Meng-fu. He painted bamboo with forceful.....more

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元顧安平安磐石 軸

元顧安平安磐石 軸

studied Chao Meng-fu's (1254-1322) writing styles. His ink bamboo painting were executed.....more

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明居節畫江南春 軸

明居節畫江南春 軸

by that of Wen Cheng-ming. His poetry and calligraphy, which were modeled in part on the styles of Chao.....more

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明唐寅臨水芙蓉圖 軸

明唐寅臨水芙蓉圖 軸

masters: in calligraphy he followed Chao Meng-fu, Li Yung and Yen Chen-ching; in painting Chou Ch’en.....more

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明陳汝言荊溪圖 軸

明陳汝言荊溪圖 軸

excelled at poetry and painting, being influenced by the landscape painting of Chao Meng-fu (1254-1322.....more

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