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符合的藏品

明劉度仿趙承旨長春翠柏 軸

明劉度仿趙承旨長春翠柏 軸

of the styles of Li Chao-tao (ca. 713-741) and Chao Po-chü (1120-1182) to give his refined and detailed.....more

2626/6047
明文伯仁五月江深圖 軸

明文伯仁五月江深圖 軸

Wen Po-jen’s style name was Te-ch’eng, and his sobriquets were Wu-feng, Pao-sheng.....more

2627/6047
明陸師道臨文徵明吉祥庵圖 軸

明陸師道臨文徵明吉祥庵圖 軸

versions in the early ch’ing. Stylistically Lu’s copy indicates that Wen painted the original.....more

2628/6047
明仇氏杜陵內史畫唐人詩意 軸

明仇氏杜陵內史畫唐人詩意 軸

,亦非過譽也。 &*Tu-ling Nei-shih was the sobriquet of the daughter of the Ming artist Ch'iu Ying (ca. 1494.....more

2629/6047
明宣宗畫花下貍奴圖 軸

明宣宗畫花下貍奴圖 軸

was Chu Chan-chi, was the grandson of Emperor Ch’eng-tzu (r.1403-1424). The fifth emperor of the Ming.....more

2630/6047
明劉度畫春山臺榭 軸

明劉度畫春山臺榭 軸

School painters as Li Ssu-hsun and Chao Po-chü. Liu Tu’s works are noted for their elegance.....more

2631/6047
明文徵明蕉陰仕女圖 軸

明文徵明蕉陰仕女圖 軸

(style-name Cheng-chung; sobriquets T’ing-yün-sheng and Heng-shan-chü-shih) was a native.....more

2632/6047
明張宏畫琳宮晴雪 軸

明張宏畫琳宮晴雪 軸

(style name Chün-tu; sobriquet Ho-chien) was a native of Wu prefecture (modern Soochow.....more

2633/6047
明唐寅觀瀑圖 軸

明唐寅觀瀑圖 軸

use of ink. T’ang Yin, one of the “Four Masters of the Ming Dynasty,” studied painting with Chou Ch.....more

2634/6047
明邢慈靜畫大士 軸

明邢慈靜畫大士 軸

,衣裾飄揚,用筆簡潔有力。&*Hsin Tz'u-ching was a native of Ling-ch'ing, Shantung province. She was the sister.....more

2635/6047
明張宏競渡圖 軸

明張宏競渡圖 軸

name Chün-tu, sobriquet Ho-chien) was a native of Wu, Kiangsu province. He was skilled.....more

2636/6047
明丁雲鵬東山圖 軸

明丁雲鵬東山圖 軸

;, and his sobriquet was Sheng-hua chü-shih. He excelled at painting Buddhist and Taoist figures.....more

2637/6047
明仇英雙駿圖 軸

明仇英雙駿圖 軸

associated with Ch'iu Ying. Although this work is undated, the prose poem on "heavenly steeds.....more

2638/6047
明文徵明喬林煮茗圖 軸

明文徵明喬林煮茗圖 軸

style name Cheng-ming. His other style name was Cheng-chung and his sobriquet was Heng-shan chü.....more

2639/6047
明吳彬畫羅漢(第四嘎禮嘎尊者) 軸

明吳彬畫羅漢(第四嘎禮嘎尊者)...

-yin Temple in Ch’ien-t’ang, Chekiang. Wu Pin imitated Kuan-hsiu’s work faithfully as he sought in both.....more

2640/6047