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符合的藏品

元管道昇書孝經 卷

元管道昇書孝經 卷

that of the Ts'ao-e stele and incorporates elements of the style of Ch'u Sui-liang (596-658). Traditionally.....more

2191/6047
名畫琳瑯 冊 宋范寬群峰雪霽

名畫琳瑯 冊 宋范寬群峰雪霽

studied the landscapes of Li Ch’eng and Ching Hao. Later he established a style of his own. Most.....more

2192/6047
名畫琳瑯 冊 元吳鎮溪流歸艇

名畫琳瑯 冊 元吳鎮溪流歸艇

of Chü-jan as his model, and was able to establish a distinct personal style. This painting.....more

2193/6047
明陳嘉言端陽景 軸

明陳嘉言端陽景 軸

之暈散意味;若用乾筆迅速鉤寫,則具飛白之效。雖看似草草,實生動而有野趣。 &* Ch’en Chia-yen, style name K’ung-chang, was a native of Chia.....more

2194/6047
明張宏百祿圖 軸

明張宏百祿圖 軸

是長壽之仙獸,且「鹿」「祿」「柏」「百」諧音,故題名「百祿」,以取富貴爵祿之意。 &* Chang Hung, tzu (style name) Chün-tu, hao.....more

2195/6047
清王翬倣沈周古松圖 軸

清王翬倣沈周古松圖 軸

。&* A native of Ch’ang-shu, Kiangsu province, Wang Hui was already a capable painter when he met Wang Chien.....more

2196/6047
清鄒一桂畫芙蓉 軸

清鄒一桂畫芙蓉 軸

paintings of the early Ch’ing court. This work depicts two stems of hibiscus, one long and one short.....more

2197/6047
宋人集繪 冊 無款周處擊蛟圖

宋人集繪 冊 無款周處擊蛟圖

surging water, pine, and clouds and mist also form focuses. This work was originally entitled “Chou Ch’u.....more

2198/6047
紈扇畫冊 冊 元盛懋秋溪釣艇

紈扇畫冊 冊 元盛懋秋溪釣艇

-hsing, excelled at painting landscapes, figures, birds-and-flowers. He began studying with Ch'en.....more

2199/6047
元人雜書 卷 楊載書水龍吟

元人雜書 卷 楊載書水龍吟

,結體略長,然仍見趙字影響。&*Yang Tsai was a native of P'u-ch'eng, Fukien, but he later moved to Hangchow. He lost.....more

2200/6047
明項聖謨三祝圖 軸

明項聖謨三祝圖 軸

Yüan-pien. His tzu (style name) was K’ung-chang, his hao (sobriquets) I-an and Hsü-shan-ch.....more

2201/6047
清王原祁倣黃公望山水 軸

清王原祁倣黃公望山水 軸

strokes in painting the mountains is especially successful. Wang Yüan-ch’i painted the landscape.....more

2202/6047
五代梁荊浩漁樂圖 軸

五代梁荊浩漁樂圖 軸

catalogues. Some scholars believe the style indicates it was done by a painter of the Li (Ch'eng)/Kuo (Hsi.....more

2203/6047
清鄒一桂?宋苑畫榴下雄雞圖 軸

清鄒一桂?宋苑畫榴下雄雞圖 軸

, Jang-ch’in and, at a later date, Erh-chih lao-jen. He became a chin-shih in 1728.....more

2204/6047
清蔣廷錫畫歲寒三友 軸

清蔣廷錫畫歲寒三友 軸

拔的精神意義。全幅的用筆較寫意,用色以墨為主,富有深淺濃淡的變化,更顯得沈厚有力。&* Chiang T’ing-hsi, a native of Ch’ang-shu in Kiangsu.....more

2205/6047