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符合的藏品

宋元集繪 冊 宋許迪野蔬草蟲

宋元集繪 冊 宋許迪野蔬草蟲

by no means pales in comparison with the Museum's famous “Jadeite Cabbage” of the Ch'ing dynasty (1644.....more

2596/6047
清鄒一桂太古雲嵐 軸

清鄒一桂太古雲嵐 軸

, Jang-ch’ing and later Erh-chih lao-jen, was a native of Wu-hsi, Kiangsu. He received the chin-shih.....more

2597/6047
宋賢書翰 冊 宋朱熹致教授學士尺牘

宋賢書翰 冊 宋朱熹致教授學士...

learning than his calligraphy. The text of this piece refers to Ch'ang-sha, indicating.....more

2598/6047
唐人明皇幸蜀圖 軸

唐人明皇幸蜀圖 軸

, rebel forces led by An Lu-shan succeeded in capturing the capital, Ch'ang-an. Emperor.....more

2599/6047
元王淵松亭會友圖 軸

元王淵松亭會友圖 軸

). He followed the style of Huang Ch'üan for birds-and-flowers, that of Kuo Hsi for landscapes.....more

2600/6047
元吳鎮篔簹清影圖 軸

元吳鎮篔簹清影圖 軸

, was gifted at poetry, prose, painting, and calligraphy. In painting landscapes, he followed chü-jan (fl.....more

2601/6047
鏤繪集錦 冊 花鳥

鏤繪集錦 冊 花鳥

。 &*Chu K’o-jou, also named Ch’iang, was a native of Sungkiang in Kiangsu. She was a famous weaver.....more

2602/6047
清繡線瑤池上壽圖 軸

清繡線瑤池上壽圖 軸

of the Ch’ien-lung reign (1736-1795). &*五色繡西王母持仙芝乘彩鳳降,眾仙女迎駕。無名款。此幅半繪半繡,如人物髮部先以墨畫,後以黑絲線略為加繡;雲紋、水岸及波濤僅繡線.....more

2603/6047
御製讚緙絲極樂世界圖 軸

御製讚緙絲極樂世界圖 軸

of color. The entire work features opulent coloring and complex details, it being a masterpiece of Ch.....more

2604/6047
清東海馴鹿圖 軸

清東海馴鹿圖 軸

white animals as auspicious omens worthy of tribute for presentation to the court. In the Ch’ieh-lung.....more

2605/6047
清馮翊畫大士像 軸

清馮翊畫大士像 軸

are not known, but he serve in the Imperial Painting Academy during the reign of Ch’ien-lung (1736-1795). He.....more

2606/6047
清鄒一桂畫豐鄉慶節圖 軸

清鄒一桂畫豐鄉慶節圖 軸

家時年六十六。 &* Tsou I-kuei (style name Yüan-pao; sobriquet Hsiao-shan, Jang-ch’ing and Er-chih lao.....more

2607/6047
唐人明皇幸蜀圖 軸

唐人明皇幸蜀圖 軸

, rebel forces led by An Lu-shan succeeded in capturing the capital, Ch'ang-an. Emperor.....more

2608/6047
元王淵松亭會友圖 軸

元王淵松亭會友圖 軸

). He followed the style of Huang Ch'üan for birds-and-flowers, that of Kuo Hsi for landscapes.....more

2609/6047
元吳鎮篔簹清影圖 軸

元吳鎮篔簹清影圖 軸

, was gifted at poetry, prose, painting, and calligraphy. In painting landscapes, he followed chü-jan (fl.....more

2610/6047