搜尋:Style I

符合的藏品

明陳嘉言端陽景 軸

明陳嘉言端陽景 軸

之暈散意味;若用乾筆迅速鉤寫,則具飛白之效。雖看似草草,實生動而有野趣。 &* Ch’en Chia-yen, style name K’ung-chang, was a native of Chia.....more

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清董邦達南屏晚鐘 軸

清董邦達南屏晚鐘 軸

,翠嶺橫披,宛若屏障,下有淨慈寺,寺鐘一鳴,山谷皆應,逾時方息。 &* Tung Pang-ta (1699-1769) style name Fu-ts’un, sobriquet Tung-shan.....more

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清張宗蒼松陰高士圖 軸

清張宗蒼松陰高士圖 軸

(1660-1730), he thereby absorbed the style of Huang’s teacher, Wang Yüan-ch’i (1642-1715). In 1751.....more

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清張照書御製芝蘭曲 軸

清張照書御製芝蘭曲 軸

。&*Chang Chao (style name Te-t'ien; sobriquets Ching-nan, Wu-ch'uang, and T'ien-p'ing Chü-shih.....more

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明董其昌書杜律 冊

明董其昌書杜律 冊

所作。董氏傳世草書不多,本冊受二王及懷素風格影響,然運筆構字、線條粗細、轉折起伏,皆較早期稍富變化,通幅多用中鋒圓筆,筆乾墨燥,時出飛白,洋溢動態之美。&*Tung Ch'i-ch'ang.....more

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清鄭汝器(簠)隸書 軸

清鄭汝器(簠)隸書 軸

碑,益得樸拙奇古之妙。細觀此書,筆墨圓潤,運筆起伏,波撇誇張,筆法結字亦變化多端。通篇筆勢行氣連貫,縱橫俯仰,極具氣韻飛揚之勢。 &*Cheng Fu (style name Ju-ch’i.....more

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清劉億僊犬圖 軸

清劉億僊犬圖 軸

。 &* Details of Liu I’s life stil remains unknown. According to the signature on this painting, “Ling-ch.....more

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明沈周蒼?高話圖 軸

明沈周蒼?高話圖 軸

&*Lofty Conversation on a Luxuriant Cliff Shen Chou (1427-1509) Ming Dynasty Shen Chou, style name Ch.....more

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明顧正誼山水 軸

明顧正誼山水 軸

,思白從予指授,已自出藍,畫此質之,品評當不爽也。觀此則知董其昌嘗從學畫,足以補畫史之不足。細與董畫相較,亦多水乳交融之處,然而出藍之譽,非謙詞矣。 &* Ku Cheng-i.....more

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明陸治仙山玉洞圖 軸

明陸治仙山玉洞圖 軸

治這幅畫沒有記上作畫年代,但是可以看得出來,是在筆墨功夫成熟之後畫的,大約六十歲以後。&*In southeast I-hsing county, Kiangsu, lies Master Chang.....more

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名人便面畫冊 冊 清曹松年蕭翼賺蘭亭

名人便面畫冊 冊 清曹松年蕭翼...

of Kiangsu who studied the style of Chang Hung. This painting illustrates the story of Hsiao I, a official.....more

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元盛懋山水 軸

元盛懋山水 軸

near Chia-hsing. His style name was Tzu-chao and he was good at landscapes, figure subjects and flowers.....more

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明項德新秋江雲樹圖 軸

明項德新秋江雲樹圖 軸

and connoisseur Hsiang Yüan-pien. His style name was Fu-ch’u. He excelled at painting landscapes.....more

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明謝時臣四皓 軸

明謝時臣四皓 軸

composed large compositions with powerful brushwork combined with the heroic style.....more

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清錢維城畫洋菊 軸

清錢維城畫洋菊 軸

'ien Wei-ch'eng’s style evolved from Ch'en Shu, it reflects as well the influence of Tsou I-kuei.....more

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