搜尋:Hsia

符合的藏品

明吳彬畫羅漢 軸

明吳彬畫羅漢 軸

is dated 1601 and indicates the work was in the Ch’i-hsia Temple. 本幅 151.1x80.7公分、全幅 91公分 明神宗萬曆二十九年(1601.....more

211/1648
明戴進畫紈牛 軸

明戴進畫紈牛 軸

himself after the Sung academic painters Ma Yüan and Hsia Kuei, and his landscapes often.....more

212/1648
明周臣山亭納涼圖 軸

明周臣山亭納涼圖 軸

dynasty masters Li T’ang, Liu Sung-nien, Ma Yüan, and Hsia Kuei. Chou’s experienced brush.....more

213/1648
明周臣松泉詩思 軸

明周臣松泉詩思 軸

-1496). He based his style on the Sung Dynasty masters: Li T’ang, Liu Sung-nien, Ma Yüan, and Hsia.....more

214/1648
明丁雲鵬三生圖 軸

明丁雲鵬三生圖 軸

-hsia where they encountered a woman carrying a jug of water on her back. Yüan-kuan said.....more

215/1648
明周臣松窗對奕圖 軸

明周臣松窗對奕圖 軸

on the works of the Sung masters Li T’ang, Liu Sung-nien, Ma Yüan, and Hsia Kuei. Chou’s mature.....more

216/1648
明尤求書閣早梅 軸

明尤求書閣早梅 軸

;an and Hsia Kuei. &*1.〈明尤求書閣早梅〉,收入國立故宮博物院編輯委員會編,《春景山水畫特展圖錄》(臺北:國立故宮博物院,1987年一月初版),頁55-56。 本幅 104.8x38公分.....more

217/1648
明戴進山水圖 軸

明戴進山水圖 軸

reflects a style derived from that of the Southern Sung (1127-1279) masters Ma Yüan and Hsia Kuei.....more

218/1648
明戴進撫松觀瀑 軸

明戴進撫松觀瀑 軸

;an and Hsia Kuei combined with the Li Ch’eng and Kuo Hsi tradition of the Yüan. He is considered.....more

219/1648
明戴進牧牛圖 軸

明戴進牧牛圖 軸

on the style of Ma-Hsia of the Southern Sung and became the major figure of the Che school in the Ming.....more

220/1648
宋馬遠畫王羲之玩鵝圖 軸

宋馬遠畫王羲之玩鵝圖 軸

differ from those of Ma. The style of Ma Yüan and Hsia Kuei was revived in 15th-century Ming.....more

221/1648
宋馬遠板橋踏雪圖 軸

宋馬遠板橋踏雪圖 軸

landscapes and is commonly associated with his contemporary Hsia Kuei (f1.1195-1224). In a valley deep.....more

222/1648
宋夏珪歸棹圖 軸

宋夏珪歸棹圖 軸

之間有小徑,旁有棧橋。溪中小舟一人獨坐,出入於淺渚蒲蘆之間。背山全用螺青漬染。山巔以小樹點綴。可稱為佈局清奇,用筆秀挺。 &* Hsia Kuei, whose style name was Yu-y.....more

223/1648
清吳穀祥具區湧金圖 單片

清吳穀祥具區湧金圖 單片

innovates within tradition, was donated by Ms. Huang An-hsia. &*1.劉芳如,〈清吳榖祥具區湧金〉,收入劉芳如主編,《十九世紀末期中西畫風的感通之二.....more

224/1648
宋馬遠乘龍圖 軸

宋馬遠乘龍圖 軸

. Because he and his contemporary Hsia Kuei (fl.1180-1230) often concentrated their compositional.....more

225/1648