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金武元直赤壁圖　卷

名勝江河、湖海高士（士人、隱士）漁夫、船夫藤蘿溪澗、湍泉松國立故宮博物院石渠寶笈續編（乾清宮），第一冊，頁309 故宮書畫錄（卷四），第二冊，頁99 故宮書畫圖錄，第十七冊，頁71.....more

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in 1548. At around that time, a collector in Soochow had Chao Po-su's “Latter Ode on the Red Cliff.....more

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，筆法快利，筆力沉頓，豎筆斜戈多往右下傾側，字勢則向右上揚起，似受蘇軾書風影響。&*Yuan Chueh (style name Po-ch'ang) was a native of Ch'ing.....more

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script was done by P'eng as a copy of Su Shih's version of Homecoming, originally by T'ao Yuan-ming.....more

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of the Ming dynasty as his model. He captured the brushwork and elegance of Yuan painting giving.....more

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年拜翰林學士承旨。歐陽玄行草略似蘇文忠。而剛勁流暢。風度不凡。&*Ou Yang-hsuan was also called Yuan-kung. He first lived in Lu-ling.....more

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Yu (768-824) at the age of 33 and was once praised by the literary great Su Shih (1036-1101.....more

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of the Song emperor Taizu. Serving the Yuan dynasty, he became Hanlin Recipient of Edicts, ennobled as Duke.....more

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-chou (I-chen, Kiangsu) at the age of 13. At the beginning of the Yuan, he was invited to the capital.....more

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. In the last years of the Yuan dynasty, he served as Hanlin Academician and Surveillance Commissioner.....more

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, and calligraphy. He was also a connoisseur of art. Ynder the Yuan Mongol rulers, he also served.....more

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You).” Zhao Mengfu in the Yuan dynasty likewise wrote, “The calligraphy slants to the point of being.....more

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