符合的藏品

共找到 12 筆符合的資料

宋趙伯驌風檐展卷　冊頁

landscape, figures, and especially ruled-line subjects. In the middle of this garden scene is a pavilion.....more

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-tuan seeking a lyric from the poet Chang Yü. Li Tuan-tuan is shown holding a white peony.....more

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, ruled-line architecture, birds-and-flowers, and grasses-and-fish. In this work, stately lotuses.....more

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line is quite low, making the tall reeds stand out against the expansive sky. Fluttering among.....more

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depicts a white-robed scholar sitting in a thatched hut by a cliff. In front are decorative rocks.....more

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, he praised Wang E as the “Ma Yüan of the Ming.” Here, a white shod of snow covers.....more

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, the gentle outlines enhanced with dry texturing and white washes to bring out the fine-line Song.....more

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and white. Scholars sit around a table with attendants off to the side. The coloring is opulent.....more

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in such colors as red, purple, and white. The plant is highly valued also for its beauty, making.....more

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at the age of 54. Each line contains one to three characters. The energetic application.....more

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figures, birds and flowers, grasses and insects, as well as at ruled-line painting. In 1751, when.....more

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or silk indicates snow. Instead, he used white pigment. The subject of this work derives from the last.....more

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