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明周文靖雪夜訪戴 軸

明周文靖雪夜訪戴 軸

) Ming Dynasty Chou Wen-ching was a native of P’u-t’ien, Fukien. During the Hsüan-te reign (1426.....more

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明倪端捕魚圖 軸

明倪端捕魚圖 軸

was a native of Chia-hsing, Chekiang province, and his style name was Wen-ch’u. He was a good painter.....more

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明項德新秋江雲樹圖 軸

明項德新秋江雲樹圖 軸

and connoisseur Hsiang Yüan-pien. His style name was Fu-ch’u. He excelled at painting landscapes.....more

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明邢慈靜畫大士 軸

明邢慈靜畫大士 軸

,衣裾飄揚,用筆簡潔有力。&*Hsin Tz'u-ching was a native of Ling-ch'ing, Shantung province. She was the sister.....more

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明沈周參天特秀 軸

明沈周參天特秀 軸

to the inscription on Lin P’u’s calligraphy written three years earlier. The characters 我and 有.....more

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明吳彬仙山高士 軸

明吳彬仙山高士 軸

Wen-chung, was a native of P'u-t'ien in Fukien but moved to Nanking. During the reign of the Wan-li.....more

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明吳彬畫羅漢(第四嘎禮嘎尊者) 軸

明吳彬畫羅漢(第四嘎禮嘎尊者)...

(2004年秋),頁99-143。 &*  吳彬(活動於西元一五六八至一六二七年),字文仲,福建莆田人,流居金陵(今南京)。能書善畫,畫山水、佛像、人物皆能自立門戶,造形奇異迥別於前人。山水布置亦新奇而不摹古.....more

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明吳彬畫十八應真 卷

明吳彬畫十八應真 卷

-an) and was a native of P’u-t’ien, Fukien. He excelled at both painting and calligraphy and achieved fame.....more

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清王翬雲溪草堂圖 卷

清王翬雲溪草堂圖 卷

of the high company kept by Hsü Yung-hs üu.3an. 本幅 39.6x278公分、裱綾 12公分、隔水一 39.6x13.8公分、隔水二 39.6x14.....more

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明吳彬羅漢 卷

明吳彬羅漢 卷

(style name; Wen-chung) was a native of P’u-t’ien, Fukien, but later moved to Chin-ling (modern Nanking.....more

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宋張即之書李衎墓志銘 卷

宋張即之書李衎墓志銘 卷

), but they are not aware that he was influenced by Ou-yang Hsün (557-641) and Ch'u Sui-liang (596-658)". The epitaph.....more

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清鄒一桂畫藤花芍藥 軸

清鄒一桂畫藤花芍藥 軸

as Minister. He composed Hsiao-shan’s Manual of Painting (Hsiao-shan hua-p’u). The style of Tsou I-Kuei.....more

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宋陳居中畫王建宮詞圖 軸

宋陳居中畫王建宮詞圖 軸

; “Is the outside world as boring as it is here?” Wang Chien (style name Chung-ch'u) was active in the T'ang.....more

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清鄒一桂畫梨花夜月 軸

清鄒一桂畫梨花夜月 軸

of painting, authoring a book on painting theory, Hsiao-shan Hua-p’u. The branch of a flowering peach.....more

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宋拓聖教序 冊

宋拓聖教序 冊

three strokes at the top of the character for “tz’u慈” in “sheng-tz’u 聖慈” being damaged and filled.....more

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