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明崔子忠雲林洗桐圖 軸

明崔子忠雲林洗桐圖 軸

植梧桐,常督童僕洗滌,後世遂有洗桐圖,相傳以為佳話。此幅綾本潔淨如新,人物用筆傳神,皆極雅秀。畫樹畫石,有圖案意味,蓋崔氏作畫,於其意象,故別有蹊徑也。 &*Ts’ui Tzu-chung.....more

1/22
宋崔白蘆汀宿雁 軸

宋崔白蘆汀宿雁 軸

。&*Ts’ui Po, (style name Tzu-hsi) was a native of Hao-liang ( modern Feng-yang, Anhwei). He entered.....more

2/22
宋崔白蘆花羲愛 軸

宋崔白蘆花羲愛 軸

,殘綠猶存。鵝身描繪精細,羽毛纖毫畢顯,極為寫實。本幅舊傳為崔白所作。&*Ts’ui Po, whose style name was Tzu-hsi,was a native of Hao.....more

3/22
宋崔白蘆雁 軸

宋崔白蘆雁 軸

the entire painting.On the rocky slope is the signature "Ts’ui Po of Hao-liang." Ts’ui Po, (whose.....more

4/22
宋崔白秋浦蓉賓 軸

宋崔白秋浦蓉賓 軸

traditionally to Ts’ui Po. Ts’ui Po, a native of Anhwei, served as a court painter in the reigns.....more

5/22
宋崔白畫枇杷孔雀 軸

宋崔白畫枇杷孔雀 軸

上,一隻行走花叢間,頭頂上飛翔著綬帶鳥,太湖石旁盛開各種花卉。整幅布滿了圖案,著色鮮麗,畫面顯得非常熱鬧富麗。 &* Ts’ui Po was a native of Hao-liang.....more

6/22
歷代名繪 冊 宋燕肅山居圖

歷代名繪 冊 宋燕肅山居圖

, but moved to Yang-ts'ui in Honan later. Both his personality and literary works were highly esteemed.....more

7/22
明崔子忠桐陰博古圖 軸

明崔子忠桐陰博古圖 軸

,然不失布紋生動柔軟之質感,別具特色。此幅畫作於庚辰(一六四0)年。 &*Ts’ui Tzu-chung was a native of Peking. With the change.....more

8/22
唐宋元畫集錦 冊 宋崔愨杞實鵪鶉

唐宋元畫集錦 冊 宋崔愨杞實鵪...

代的收藏印「都省書畫之印」,所以本件作品的時代,應不晚於宋。而且畫中的鵪鶉與螻蛄,均不先勾勒輪廓,直接以水墨點染,感覺十分質樸典雅。這種「落墨畫法」,在宋畫中尤其罕見而難得。&*Ts'ui Ch.....more

9/22
明崔子忠畫蘇軾留帶圖 軸

明崔子忠畫蘇軾留帶圖 軸

坐樹下,皆張口談說。筆墨雅淡,描寫傳神。梅枝山石,用筆方整,是崔特色。 &*Ts’ui Tzu-chung was a native of Peiking. His style names were.....more

10/22
清王時翼畫岳陽大觀 軸

清王時翼畫岳陽大觀 軸

, animated features of Sung Hsü and Ts’ui Tzu-chung. In a passage from “The Record of the Yüeh.....more

11/22
清沈顥畫懸崖垂瀑 軸

清沈顥畫懸崖垂瀑 軸

to breathe the same air as that of Ch’en Hung-shou and Ts’ui Tzu-chung, two equally original.....more

12/22
明崔子忠雲中雞犬 軸

明崔子忠雲中雞犬 軸

齊飛昇而去。 &*Ts’ui Tzu-chung was a native of Shantung who adopted Peking as his home. He was a highly.....more

13/22
明唐寅倣唐人仕女 軸

明唐寅倣唐人仕女 軸

is counted as one of the Four Masters of the Ming dynasty. Two noted T’ang poets, Ts’ui Ya and Chang.....more

14/22
明陳祼洗硯圖 軸

明陳祼洗硯圖 軸

in life he lived as a recluse on Tiger Hill in Suchou. This painting answers Lu Tzu-ch’ui’s.....more

15/22
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