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明董其昌臨鍾王帖　冊

國立故宮博物院石渠寶笈續編（養心殿），第二冊，頁1070-1072&*故宮書畫錄（卷三），第一冊，頁97-99&*故宮歷代法書全集，第二十四冊，頁14-27、142-143&*董其昌（西元一五五五.....more

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，觀此畫例，足證元明以降，山水畫已蔚成國畫作之主導。 Cheng Chung, a native of Hsi Hsien, Anhwei Province, was also called.....more

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, Fukien province, though his ancestral home was in Lung-hsi, Kansu province. He was the most famous bird.....more

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，雖著筆無多，而自挺然傑出。 &*Wang Fu was a native of Wu-hsi, Kiangsu. His tzu (style name) was Meng-tuan; his.....more

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局甚簡，而用筆圓勁，墨色濃郁，覺與吳鎮有溪壑相通處。 &*Wang Fu was a native of Wu-hsi, Kiangsu. His style name was Meng-tuan.....more

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the idioms of Wang Hsi-chih and Wang hsien-chih. The density of the expressive force of his brush he got.....more

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”) by the Yung-lo emperor (r. 1403-1424). In the early part of his reign, Kuo entered the court and was awarde.....more

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during the Shao-hsi reign period(1190-1195). He lived outside the Ch’ing-po gate so.....more

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that of Wang Hsi-chih (4th century). “Jade Dew in the Heron Grove” is the title of a book written by Lo.....more

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，號梅花道人。為元四大家之一。此幀為羅志希先生捐贈。&*This work, a handscroll donated to the Museum by Mr. Lo Chih-hsi.....more

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to the figure of the Mother Goddess of the West (Hsi-wang-mu), one of the two main female deities.....more

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〉，收入譚怡令編，《呂紀花鳥畫特展》（臺北：國立故宮博物院，1995年初版），頁99。 &*　邊文進（活動於西元一四０三－一四二八年），名景昭，以字行。福建沙縣人，祖籍甘肅隴西。明初花鳥院畫家中以邊氏.....more

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, though his family originally came from Lung-hsi, Kansu. He excelled at painting flowers, fruits.....more

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