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宋趙伯驌風檐展卷　冊頁

家具為典型宋代樣式，有學者懷疑此圖近似明代仇英之畫風，然尚無定論。 Chao Po-su (style name Hsi-yüan) excelled at painting.....more

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compared to the beauty Hsi-tzu by Su Shih, the lake is surrounded by hills on three sides with two peaks.....more

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、李建中等，不過他主張「我書意造本無法，點畫信手煩推求」，有法而不泥於法，是典型的宋人尚意書風代表。此幅書於五十二歲，運筆沉著穩健，字形雖不俊美，卻有豐富的意韻。本幅為「宋四家法書」卷之二。&*Su.....more

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不甚俊美，但意韻豐富，正如他主張「我書意造本無法」，書家應當有法而不泥於法。本幅為「宋四家集冊」之一。&*Su Shih was a native of Szechwan.....more

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叢竹人家，雪壓垂柳。木橋橫江，二人緩緩行來，一持傘，一戴帽披蓑，皆弓身前進，不甚瑟縮，顯見濃濃寒意。 &* Hsiao Ch’en (style name Ling-hsi and sobriquet.....more

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。 &* Mo Shih-lung, was a native of Hua-t’ing in Kiang-su, but later moved to Shanghai. An unusual.....more

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. Hui in Wu-hsi to gather spring water for brewing tea. An attendant gets water from a hexagonal.....more

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'ung-hsi period (1174-1194) and eventually served as a Painter-in-Attendance. He painted both figures.....more

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derives its force from the styles of Su Shih (1036-1101), Huang T’ing-chien, Mi Fu (1052-1107.....more

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Wangs (Wang Hsi-chih [309-365] and Wang Hsien-chih) and Li Yung (678-747). They were combined.....more

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as Chang Hsu, Huai-su, Kao Hsien, and Tzu Kuang. Admiration for the Chin over the T’ang is often seen.....more

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the emperor’s own. Thus, it reveals Kao-tsung’s lineage in the calligraphic style of Wang Hsi-chih. 本幅 99.....more

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: "The mildness and serenity of his brushwork bears a resemblance to Li Hsi-t'ai (Chien-chung, Sung.....more

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